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RAGHUBIR SINH

A Princely Historian

Far removed from the middle–class origins and professional careers of Sarkar and Sardesai is the third actor in this history. Raghubir Sinh — heir to the princely state of Sitamau, located in the patchwork of princely states aggregated by the colonial state in the mid–nineteenth century as the Central India Agency. As such kingdoms went, Sitamau was not small — its ruler bore the title of His Highness and Raja and was entitled to a salute of eleven guns. Within its boundaries of some 350 sq. miles were ninety-three villages. The kingdom of Sitamau had come into being at the end of the seventeenth century, founded by a cadet branch of Rathor Rajputs from Ratlam — which in turn had been founded by Ratan Singh, a descendent of the ruling clan of Jodhpur.

The Rajput ruling houses of Ratlam and Jodhpur thus defined one aspect of Sitamau’s geographical and political environment. The state was also bordered by the large princely states of Gwalior and Indore — founded respectively by the powerful Maratha clans of the Scindias and the Holkars. Sitamau, from the late eighteenth century, had passed into the control of Scindia’s armies and it was a tributary to Gwalior until the appearance of the British on the scene who established a new paramountcy.

The princely state of Indore was Sitamau’s major neighbour and Indore city its closest major urban centre. Sitamau’s history is, therefore, permeated by all the friction of Maratha—Rajput interface that informed so much of Raghbir Sinh’s scholarship and historical research. Much of what Sarkar and Sardesai researched in the fall of the Mughals and the rise of the Marathas and the final extinction of both powers, formed Sinh’s personal inheritance — in terms of family and clan history.

Raghubir Sinh was born in Sitamau in February 1908, the eldest son of the ruler, Raja Sir Ram Singh. His early studies were at the Daly College, Indore, and thereafter at the Baroda High School. Unusually for a ruling prince, he went on to study further — a BA and thereafter a law degree from the Agra University — and taught at the Sitamau high school before securing an MA in history also from the Agra University. What explained this professional and middle–class trajectory for a scion of a ruling house in central India? Raghubir Sinh was often to be asked this question and he would relate the tradition of literature and poetry for which Sitamau rulers had achieved some local distinction. One of his ancestors was thus named as a friend by Suryamal Mishran, the author of Vansh Bhaskar, an important early–nineteenth–century chronicle of the Hada Rajputs of Bundi. His father, Maharaja Sir Ram Singh, too took pride in being a poet and encouraged others including his children in literary activity. Incidentally, he would personally teach English to his children.

Raghubir Sinh was born in Sitamau in February 1908, the eldest son of the ruler, Raja Sir Ram Singh. His early studies were at the Daly College, Indore, and thereafter at the Baroda High School. Unusually for a ruling prince, he went on to study further — a BA and thereafter a law degree from the Agra University — and taught at the Sitamau high school before securing an MA in history also from the Agra University.

Yet, notwithstanding these literary traditions, it was an external event that focused Ram Singh’s attention on the future of the Indian princes and in particular how his sons would manage without a kingdom. This event was the Russian Revolution and the overthrow of Tsar Nicholas. On the afternoon this news came, Sinh recollected that he had found his father worried and somewhat bewildered. He did not begin the customary English tuition but instead spoke about the earlier revolutions in France and England and the fates that had met Louis XVI and Charles I. He then said: ‘At the moment everything is quiet in India but no one knows what the future holds and it is possible that the princely states will face great change and they may well come to an end. It is therefore essential that each of you should be fully educated and learn to stand on your own feet.’

In Raghubir Sinh’s account, doing a BA and then obtaining a law degree was thus chartered out for him then, but his father’s prescience extended to his other progeny also and became a tradition for the Sitamau ruling family. Raghubir Sinh’s own children and grandchildren too were to lead lives in different vocations and careers including the civil services and the corporate world. Their family inheritance has, unlike many other erstwhile princely families of India, not been treated as an asset but as a tradition. Raghubir Sinh gave early evidence of what was to become a lifelong interest in historical research, and history. While still a young man of twenty–two and possibly with little historical training, his first book Poorva Madhyakalin Bharat (Pre–Medieval India), was written in 1930 and published in 1931. It, he reminisced later, enjoyed a brief success largely because there were not many such works then available in Hindi. The book is intended as a reflective look at the Delhi Sultanate — and is novel to the extent it looks at that period of history not in dynastic terms but in terms of broader social and military trends.

The royal family of Sitamau. [Credit: indianrajputs.com]

The royal family of Sitamau. [Credit: indianrajputs.com]

Raghubir Sinh subdivided the sultanate history into five themes: Military Rule (1206—94), Progressive Governance (1254—1351); Religious Governance (1251—1388); Period of Weak Governance and Instability (1388—1450); and, Feudal Dominated Government (1450—1526). Such a conceptual disaggregation was intended to provide an overview of sultanate history consciously different from more conventional approaches exemplified by Ishwari Prasad’s History of Medieval India — published in 1925 and which remained for decades later the standard work. Raghubir Sinh’s book shows the author as a serious young man who was embarking on a study of history with high motives. The opening sentence of the book is a quote from Leibnitz, ‘The present began in the past.’ But more novel are the reasons that he advanced for writing the book:

Readers have begun to see that historians have made two big errors. Firstly, that modern writers have not reflected on how values changed with the passage of time. Based on modern values they have judged the character and actions of medieval monarchs. Secondly, Western historians in writing the history of India have evaluated Indian monarchs on the basis of Western values. They thus showed our heroes in an unfavourable light and knowingly or unknowingly did a great injustice to India.

Raghubir Sinh gave early evidence of what was to become a lifelong interest in historical research, and history. While still a young man of twenty–two and possibly with little historical training, his first book Poorva Madhyakalin Bharat (Pre–Medieval India), was written in 1930 and published in 1931. It, he reminisced later, enjoyed a brief success largely because there were not many such works then available in Hindi.

Sarkar gave a strong endorsement to Raghubir Sinh’s book in the form of a testimonial:

It strikes a new line by locating History not as ‘a record of the crimes and follies of mankind’ (Gibbon), but as a movement of humanity. The story of the wars, murders, and rise and fall of principalities in medieval India is familiar to us all. But this author regards that portion of our past from a fresh point of view; he attempts to give us the philosophy of Indian history — the why and how of things — during that period and has in this way distinctly enriched our vernacular literature.

Yet despite such a strong recommendation from India’s greatest living historian and notwithstanding being prescribed as a text in the Banaras Hindu University and the Nagpur University, the book faded away quickly. A separate story, however, surrounds how Sarkar wrote this recommendation for it, although it was written after Poorva Madhyakalin Bharat was published. Possibly, it was at Raghubir Sinh’s request to establish its worth. He reminisced years later that the acquaintance of the historian with the Sitamau rulers began in 1926 when a difference of opinion arose on a sanad granted by Aurangzeb to Keshav Das, the founder of the Sitamau state. Sarkar studied the available documentation and gave an opinion that settled these disputes. Raghubir Sinh, however, maintained contact with Sarkar thereafter and this possibly explains the endorsement. Sinh was also to recall that his teacher in Agra, J.C. Taluqdar, also introduced him to Sarkar as a possible research student.

Following a brief visit to Sitamau by Sarkar and his family in October 1934 the relationship crystallized with Sarkar agreeing to act as research guide for Raghubir Sinh’s DLitt. thesis. This resulted in Sinh’s best known work, Malwa in Transition. Sarkar himself does not appear to have required much encouragement in accepting Sinh as a student — the idea of guiding the research efforts of the scion of a Rajput state would have been appealing and despite almost a forty–year age gap between the two, a close relationship developed which is apparent from even a cursory reading of their letters. Incidentally, Sarkar, during his visit to Sitamau, was accompanied by his wife, two daughters, a son–in–law and a servant and he was travelling to Ujjain after visiting the battlefield at Haldighati and the fort complex at Chittorgarh, en route. Sitamau was on the way as Sarkar was also visiting Fatehabad, where a major battle between Aurangzeb’s and Shah Jahan’s armies — the battle of Dharmat — took place in 1658.

Following a brief visit to Sitamau by Sarkar and his family in October 1934 the relationship crystallized with Sarkar agreeing to act as research guide for Raghubir Sinh’s DLitt. thesis. This resulted in Sinh’s best known work, Malwa in Transition. Sarkar himself does not appear to have required much encouragement in accepting Sinh as a student — the idea of guiding the research efforts of the scion of a Rajput state would have been appealing and despite almost a forty–year age gap between the two, a close relationship developed which is apparent from even a cursory reading of their letters.

Raghubir Sinh was once asked whether his princely status meant any special privileges or treatment from Sarkar. He had reminisced:

There was nothing of that although some sentiment may have been there. On talking to his other old students, I learnt that he was very strict. His demeanour was such that even his senior–most student Dr Kalika Ranjan Qanungo would not dare to look at him eye to eye till the very end. He was therefore very strict. He was strict with me also especially on matters concerning scholarship. But a certain softness had entered with age. Possibly he felt that I was sincere and would work hard and therefore he took an additional interest in my work.

The history of Malwa, the region in which Sitamau is located, in the eighteenth century was Raghubir Sinh’s chosen subject. ‘It is,’ Sarkar wrote to the young prince in March 1934, ‘a fascinating subject, but the difficulty of writing it is no less than its interest.’ The difficulty arose ‘… from the interplay of an immense and complicated variety of races and forces and the lack of written records. … Your task can best be likened to the work of a jeweller also in reconstructing a mosaic which has been shivered into bits and some components/parts of which are missing.’ Sarkar’s advice was characteristic: ‘Collect the extant traditions … of important families (or clans) and of towns too in different parts of Malwa.’ Again, ‘I have always told my research students that a general knowledge is absolutely necessary even for a specialised study and that they must read not only in but also about their chosen subject.’ The initial reading list forwarded by Sarkar included works in Urdu, Persian and Marathi, apart from in English, and contained also the advice that Sinh had to gradually improve his skills in all these languages.

Raghubir Sinh (R) and Sir Jadunath Sarkar.

Raghubir Sinh (R) and Sir Jadunath Sarkar. [Credit: indianrajputs.com]

Jadunath’s advice and assistance was that of the research guide of a doctoral student and extended from suggesting lists of primary sources, help in obtaining manuscript resources from the British library, as also loaning manuscripts from his own collection. From 1933 to end of 1935, correspondence between the two concerned the minutiae of manuscript sources  to establish the chronology and main developments in Malwa in Sinh’s chosen period of study. Sarkar’s own experience of researching in the backwater of Patna without access to a research library and having to rely on a personal network to tap manuscript sources, clearly informs his guidance of Sinh in even more obscure Sitamau. Sarkar’s advice and assistance stand out and explain much of the close relationship that developed between the two:

For the other Persian manuscripts you required, it appears to me that as the information about Malwa is diffused through many pages and mixed with various other topics not within the scope of your subject, the best course would be for you to authorize me to engage on your behalf a Munshi of this place who will copy the letters or passages I mark out as relevant to your subject and they will be afterwards sent to you.

The history of Malwa, the region in which Sitamau is located, in the eighteenth century was Raghubir Sinh’s chosen subject. ‘It is,’ Sarkar wrote to the young prince in March 1934, ‘a fascinating subject, but the difficulty of writing it is no less than its interest.’ The difficulty arose ‘… from the interplay of an immense and complicated variety of races and forces and the lack of written records. … Your task can best be likened to the work of a jeweller also in reconstructing a mosaic which has been shivered into bits and some components/parts of which are missing.’

On another occasion:

I have visited the Asiatic Society’s library and taken notes of the Persian manuscripts cited in your letters. None of them contains primary material for your work. I enclose my analysis of the contents of the letter book of Asaf Jah’s munshi Rai Ram Singh; only one letter refers to Malwa’s affairs and next too is without date or detail … Two of the works mentioned in your letter contain important letters, but these refer to other provinces and have no bearing on Malwa’s history. I have summarised their concerns (with page numbers) in my note book.

Sinh was fortunate that his guide also had a converging interest in the first half of the eighteenth century and that there was so much overlap of manuscript sources. In 1933 and 1934 Sarkar himself was engaged with Volume II of his Fall of the Mughal Empire which dealt with the period 1754 to 1771 covering Maratha expansion in the north, the battle of Panipat and developments thereafter in Delhi, Rajasthan and Punjab. Some of this, therefore, overlapped with the broad coverage of Raghubir Sinh’s study of Malwa.

Sarkar’s guidance also extended to the drafting of the thesis and to all matters of style and presentation. Thus, as Sinh began writing, his guide wrote: ‘Avoid verbosity by all means, adhere to a methodical arrangement of the matters of fact; terseness of expression and citation of authority should characterise every chapter. Leave reflections to the concluding paragraphs of each chapter or to a separate chapter.’

We also have Sarkar commenting on an early draft of some of the chapters of the thesis:

… your writing is too prolix and often very remotely relevant. I have reduced your draft of 107 pages by my deletion to about 75 pages and wish very much you would reduce it still further by 20 pages when rewriting the draft in the light of my suggestions. In fact, your draft is just double of what it ought to be. Remember this fact constantly in writing the following part and rigorously control your pen from running away. Under no circumstances should the thesis exceed 260 pages.

There are also numerous advisories regarding correct grammar and style:

Nothing antagonizes examiners, especially of the English race, so much as errors of English grammar and spelling because such defects in a thesis make them doubt whether the writer is scholarly enough for the highest distinction in the gift of a university.

Writing style was very clearly a passion with Sarkar. Over a decade before correcting Sinh’s errors he had written:

I am myself a lecturer in history, and would naturally prefer to give my pupils the philosophy of history, glimpses of the original sources, a sense of historical perspective, and a comparative survey. But much of my time is taken up in correcting the grammar of the pupils in my history class, in teaching them to arrange their thoughts methodically and to discriminate between what is relevant and what is not, and in training them in the art of summarising correctly by giving examples of my own composition in respect of certain ‘periods’ of their course and then urging them (I am not sure, always with success) to follow the same method themselves at home in respect of the other ‘periods’. All these simple things they should have learnt at school, if their school education had been genuine and not of a viciously lowered standard — the natural result of a commercialised and cheap Matriculation, which is no test for admission to college.

Sinh was fortunate that his guide also had a converging interest in the first half of the eighteenth century and that there was so much overlap of manuscript sources. In 1933 and 1934 Sarkar himself was engaged with Volume II of his Fall of the Mughal Empire which dealt with the period 1754 to 1771 covering Maratha expansion in the north, the battle of Panipat and developments thereafter in Delhi, Rajasthan and Punjab.

 

When the thesis was nearing completion in early 1936, Sarkar arranged for Nirad Chaudhuri, later to be a well–known writer, to proofread the draft. Nirad Chaudhuri was then, of course, truly an unknown Indian and Sarkar referred to him on occasion as ‘the MA gentlemen’. Nirad Chaudhuri was then unemployed and with a family to maintain was financially in dire straits. His reflections about the young Raghubir bear repetition:

I also got a literary commission. An Indian prince, the Maharajkumar (or heir apparent) of the State of Sitamau had written a considerable work of historical research on the rise of the Maratha principalities in Central India or Malwa in the eighteenth century. He had got a doctorate for it and wanted to publish it as a book. When he wanted editorial help, Sir Jadunath Sarkar, our most eminent historian, who knew me well, suggested my name. So, I got some money out of this commission as well. I found the prince to be altogether a different kind of character from the Bengali upstart who had shown rudeness to me. These princes could get people murdered out of anger but they could not be rude. This prince proved the truth of the old saying that courtesy is the grace of princes and the other saying that the greater the man the greater the courtesy. Of course, I have read the saying of Chamfort: ‘Amitie de cour, foi de renard et Societe de loup’. But when a people are particularly rich in the population of human foxes and wolves, one does not find even counterfeit courtesy unpleasant. This prince, moreover, had more intellectual capacity than I would normally have expected in an Indian prince of our times. He had done his research himself, and wrote good English.

Sarkar’s supervision of Sinh’s work was, however, close and on one occasion a draft was sent to the press before Nirad Chaudhuri had time to go through it. It had many errors and we have Sarkar admonishing Sinh:

You have done your work with less than the necessary heedfulness in some cases; P1 of the final typed copy sent to the press reads ‘The anarchy was rampant’ whereas the definite article is ungrammatical here. … You can easily imagine how European examiners would be shocked on reading sentences like ‘the anarchy was rampant’.

As the thesis neared completion G.S. Sardesai and the English historian P.E. Roberts were appointed as its external examiners. While sending the thesis to Sardesai, Sarkar wrote: ‘This candidate’s work gives me much hope for his future as a worthy recruit to our campaign of sound historical research’, and:

Raghubir Sinh’s thesis comes up to the standard of Ishwari Prasad’s thesis with this accidental difference, however, that Ishwari Prasad dealt with an unworked field (viz., the first Tughlaq) while portions of Raghubir’s thesis were previously covered (though briefly) by Irvine and myself. But he has exhaustively treated this subject and fully utilized the new Marathi material and made important elucidations of provincial topography and dynastic history.

Roberts too was impressed with the work and we have Sarkar informing Sinh in September 1936. I sent my report on the thesis along with Sardesai’s (both favourable) to the examiners in England by the sea mail. But in the meantime, he (P.E. Roberts) quickly read the thesis and sent to me by air mail an even stronger recommendation than ours.’

 

[P.E.] Roberts too was impressed with the work and we have Sarkar informing Sinh in September 1936. I sent my report on the thesis along with Sardesai’s (both favourable) to the examiners in England by the sea mail. But in the meantime, he (P.E. Roberts) quickly read the thesis and sent to me by air mail an even stronger recommendation than ours.’

And finally, in October 1936 when the thesis was approved and the book printed, Sarkar was effusive in his praise:

It gives me great pleasure to be able to address you as a Doctor of Literature. Your book will remain a standard authority on its special theme and certainly reflect credit on your university as setting the standard of its doctorate degree by the example of the work done…

Your success may have been facilitated by my guidance and loan of manuscripts but I feel you have legitimately contributed to the happy result by your intense application and sincere devotion to the task of clearing the history of your native province.

When an occasional critical review of the book appeared, or others criticized his student, Sarkar was characteristically protective:

I enclose a cutting of the Statesman review of your Malwa. When I meet you, I shall tell you the name of the writer and the reason why he is maliciously trying to run down my pupils by making sneering remarks when he cannot totally ignore the evident merits of a sound piece of research work. His own work has been described, in a signed review in the London’s Royal Asiatic Society Journal as unreadable in style!!!

Along with some perfunctory complementary remarks the review had said: ‘Maharajkumar Raghubir Singh’s narrative does not possess the charms of Sir John Malcolm’s memoirs. … The average reader may find the volume dull reading for the author is so deeply interested in the individual trees that he seldom takes notice of the wood.’ The review is unsigned but may well have been by Dr Surendranath Sen whose differences with Sarkar we will touch upon in Chapter V. Its authorship is suggested by the following sentences in the review very evidently targeted at Jadunath Sarkar: ‘Those who prefer the chronicle to a scientific history of the modern type will find better guides in such masters of narrative as Gibbon and Macaulay than in the Indian Chelas of William Irvine.’ There was, in fact, much in the thesis that would have appealed to Sarkar and the stamp of his approach to writing an authentic history is visible throughout in Malwa in Transition: chronological accuracy, evaluating the authenticity of a source from different angles and comparing various sources to establish a correct sequence of events, discarding in the process, wherever necessary, older interpretations. Yet, whatever the extent of the guidance from Sarkar, the work clearly bears the stamp of Raghubir Sinh’s own reflections on Malwa history.

 

Malwa in Transition, Raghubir Sinh's most well-known work.

Malwa in Transition, Raghubir Sinh’s most well-known work.

Malwa in Transition or A Century of Anarchy tells the story of an extinction of identity — in this case the identity of Malwa — in the eighteenth century. For Sinh the eighteenth century apart from being a century of anarchy was also a ‘century of revolutions’ as the ‘social and cultural map of India was completely changed’ and ‘many an old political entity was wiped off from the map of India’.  This view was deeply embedded in Sinh’s mind and repeatedly recurs both in his historical works as also in his future activities as a politician and public intellectual. In Sinh’s treatment, the anarchy of the eighteenth century meant that his home region lost out in political, cultural and military terms and this was entirely on account of the Marathas. Local Malwa reaction, and especially from the leading Rajput families, to the Marathas was that they appeared ‘more as enemies than as friends’. We will engage in greater length with this perspective and how it was to interface with the views of Sardesai on Maratha expansion and Sarkar on Mughal decline.

Malwa in Transition or A Century of Anarchy tells the story of an extinction of identity — in this case the identity of Malwa — in the eighteenth century. For Sinh the eighteenth century apart from being a century of anarchy was also a ‘century of revolutions’ as the ‘social and cultural map of India was completely changed’ and ‘many an old political entity was wiped off from the map of India’.  This view was deeply embedded in Sinh’s mind and repeatedly recurs both in his historical works as also in his future activities as a politician and public intellectual.

Building a Research Library

Even as Malwa in Transition was being researched and written, other facets of the Sarkar—Sinh relationship had also developed: Sarkar acting as a mentor in the collection of books and manuscripts for Sinh’s private library (which also supplemented Sarkar’s and Sardesai’s own historical research), and secondly, Sinh as an ally in hunting for and securing manuscript sources on Maratha and Rajput history from individuals and families reluctant to part with them. If in the initial years of the Sarkar—Sinh relationship we see much more of the guide and doctoral student at work, clearly the other aspects were as important virtually from the start: ‘You have my best wishes in your endeavour to build up an original and authentic history of Malwa in the 18th century … this will be a greater achievement than winning doctorate.’

And:

I am equally pleased to learn of your enthusiastic and judicious acquisition of rare books and still more precious Persian MSS … I can visualise a day when you will find that your library has grown so large and useful to scholars that you will move it from your residential palace to a building of easier access to the public.

In the years following the publishing of Malwa in Transition, Sinh established himself as a leading historian of Malwa and Rajasthan in his own right. In the Poona Residency Records series, of which Sarkar and Sardesai were the general editors, Sinh edited the Selections from Sir C.W. Malet’s Letter Book 1780–84 (1940), Daulat Rao Sindhia and North Indian Affairs 1800– 1803 (1943) and The Treaty of Bassein and the Anglo–Maratha War in Deccan 1802–04 (1951). Soon after Malwa in Transition but different in scope and intent was a full length study titled Indian States and the New Regime (1938) which addressed, as we shall see, the issues of a future federal India and the role the princely states could play in it. Through the 1930s he worked as a judge in the Sitamau high court and in other administrative capacities in the state administration. Service in the army during the war years added another dimension to Sinh’s public duties.

Indian States and the new regime.

Indian States and the new regime.

With Independence, the claims of public life became stronger. Yet, the pull of history remained. The Sitamau library expanding from a small personal collection was now a major centre for research in its own right and in 1949 Sinh published a descriptive list or catalogue of its main holdings. The kernel of this was a presentation Sinh had made at the famous Kamshet conference in 1938 at Sarkar’s suggestion. Sarkar had then written to Sinh: ‘A small list (say, 8 or 12 pages) of your Persian MSS and Photostat acquisition would be well appreciated at Kamshet and though it must not be regarded as a final descriptive catalogue, it would add greatly to the value of your speech there.’

With Independence, the claims of public life became stronger. Yet, the pull of history remained. The Sitamau library expanding from a small personal collection was now a major centre for research in its own right and in 1949 Sinh published a descriptive list or catalogue of its main holdings. The kernel of this was a presentation Sinh had made at the famous Kamshet conference in 1938 at Sarkar’s suggestion.

The 1949 detailed catalogue had a glowing Foreword by Jadunath Sarkar. ‘The creation of this library,’ he wrote, ‘is due to the patriotic zeal, foresight, and persistence of an enlightened prince.’ Sarkar explained the reason behind Sinh’s venture:

The oldest, completest, and best–transcribed copies of most Persian histories and State–papers of the Muslim period are preserved in the public libraries of Europe, and our patriotism naturally feels hurt at so many of our best historical material having gone out of our country. But in one way it was a blessing. If they had not been acquired and sent to Europe so early, but left in Indian hands, they would in most cases have been totally lost during the long years of anarchy, warfare, and the decay of our noble families that maintained libraries and writers.

The Raghubir Library now filled this gap. It was, Sarkar wrote:

… unique in the world for the completeness of its sources on the mediaeval history of India. Nowhere else can one find all of these materials in one place. In one particular but most valuable section, the akhbarat or hand–written news– letters in Persian, extending from 1659 to 1830 A.D. and the administrative records of the Jaipur State and the Peshwa’s Government, written in Dingal and Persian, the Raghubir collection is sure to attract students of these branches from all parts of the world.

Sarkar had been a partner in the growth of this library and remained so till his death. The following letter with all its detailed instructions is only one of many.

I have just secured through an ex–pupil of mine in Bihar, an imperfect MS of the letters of Ahmad Shah Abdali to Sawai Madho Singh of Jaipur. Please set your best munshi immediately to copy the leaves marked in blue pencil 1 to 34 on one side of the paper.At the end of the folio 34 back, leave the rest of the page of the copy blank as there is a gap here.

Then on a new sheet start copying the two folios marked 36 and 37 — in all 73 pages. (To be copied only 71 pages not 73, because folio 35 is a blank.)

Please send the original back to me with the copy made at Sitamau and after taking notes I shall return the copy to your library.

Kindly keep it a secret from the Jaipur Darbar (and indeed from all other people) that I have secured these records of their ancestor’s dealings with Abdali. Very likely they have lost the originals.

The letters in question related to 1759—61 and one may therefore well wonder whether the emphasis on secrecy came from an exaggerated sense of self–importance or an excessive caution. But equally, perhaps, given the sensitivities at play — which both Sinh and Sarkar were conscious of — the caution was not entirely misplaced. The letters show the ruler of Jaipur, Madho Singh, more concerned about evicting the Marathas and reducing their influence from his territory and willing to do what he could in the matter in concert with the Afghans led by Ahmad Shah Abdali. That the historical conjuncture in which this correspondence took place was before and after the battle of Panipat when the Marathas were defeated added to their significance. The caution had, therefore, some basis.

Sarkar explained the reason behind Sinh’s venture: “The oldest, completest, and best–transcribed copies of most Persian histories and State–papers of the Muslim period are preserved in the public libraries of Europe, and our patriotism naturally feels hurt at so many of our best historical material having gone out of our country.”… The Raghubir Library now filled this gap.

But there is also — amidst the talk of sources, manuscripts and historical personages — regular and detailed practical advice to Sinh on his growing library:

Your library is growing apace and special precautions should be adopted for the preservation of the paper and binding from worms. Open shelves, with the air freely playing on them are best; naphthalene does little good, what is required is to have a careful servant to take the volumes out, dust them, air them and then replace them on the shelves. He will go through the entire collection in about a week, and repeat the process once every month. Yoco Book polish (sold by Newman and Co, Calcutta) should be spread with a small brush over the leather and cloth of the binding to guard against the ravages of worms and the Indian dust storms and summer heat. This should be commenced at once and repeated once every two years.

In 1937–38, Sinh introduced a technological leap in the research culture of the time with its reliance on copying of manuscript sources by hand, engaging paid copyists and clerks. Sinh recollected later:

From 1937–38 microfilms were in use which were cheaper. … I began corresponding with England and read in a newspaper that Kodak had introduced a special amplifier called Recordek to read microfilms. I wrote to the Kodak people in Bombay that I wanted to buy a Recordek. They replied that they did not know what it was and would get in touch with suppliers in England. The Recordek reached Sitamau in Nov–Dec 1938.

Evidently Sinh had consulted Sarkar earlier for we have this excited letter of October 1937: ‘What you say about micro– filming has thrilled me. We can now get all that we need for our historical workshop, at a cost within our means.’

The microfilm reader in Sitamau is believed to be the first in use in India. A decade later this quantum leap still fascinated Sarkar and in an introduction to the handbook on the Sitamau Library we have the following description:

Copying with the hand can never be fully reliable, but a photographic reproduction almost places the manuscript itself before us. … The cheapest of these photographs are ‘rapid rotary bromide prints’ (called rotographs for shortness). In them the paper appears as black and the writing as white. A little higher in cost but more clear to read are photostats in which the writing is black and the paper white or greyish … A device for very greatly reducing the cost … is the microfilming the MSS or photographing them in reels like miniature cinema films. The Americans first made extensive use of this last device to take copies of numberless manuscripts and rare books … (from) England … for intensive study of their scholars without having to leave America.

The discovery of the possibility of photographing records and then being able to store them on microfilm or take copies for use in case microfilms were not available opened up many possibilities. The research by Sarkar and Sardesai in the Peshwa Daftar and the Poona Residency Records and their familiarity with this archive meant that with a microfilm reader available in Sitamau, records in Poona could be filmed and then transferred to Sitamau. We see a somewhat unusual enterprise now emerging. The good offices of Sarkar and Sardesai meant that Sinh was able to get the government authorities concerned to approve the filming of selected records in the Poona Archives.

The discovery of the possibility of photographing records and then being able to store them on microfilm or take copies for use in case microfilms were not available opened up many possibilities. The research by Sarkar and Sardesai in the Peshwa Daftar and the Poona Residency Records and their familiarity with this archive meant that with a microfilm reader available in Sitamau, records in Poona could be filmed and then transferred to Sitamau. We see a somewhat unusual enterprise now emerging.

This was easier said than done since the process involved the documents being physically sent to another government office — the Government Photo Registry Office in Poona — to be filmed there and thereafter the microfilms being sent by railway parcel to Sitamau. That at least one of Sardesai’s former assistants and a historian in his own right, V.G. Dighe, was employed or working at the Poona Archives, made the logistical work of separating the documents to be filmed and then sent to the Photo Registry Office easier. Even with Sarkar’s full help in terms of getting the necessary permissions, the fact that this task could be carried out with two government establishments coordinating and cooperating with each other to see the task to fulfilment is testimony to Sinh’s own persistence and powers of persuasion as also his commitment to the task by investing the not inconsiderable sums required.

A thick file in Sitamau in the Raghubir Library is a silent witness to these efforts as it shows a long and protracted correspondence for over a decade with the Poona Archives and the Photo Registry Office. The documents chosen for filming were the Persian records in the archives and comprised a mass of papers including newsletters (akhbarat) sent to the British resident in Poona during the period 1796–1817. In all, the work involved some 15,000 exposures and its scale was further compounded with wartime shortages of film, paper, equipment, etc. The task in brief is a classic illustration of how a new technology could be successfully applied in an environment, prima facie adverse.

Jadunath Sarkar

Jadunath Sarkar

From the 1940s onwards Sardesai’s often poor health and concerns about the fate of his own not inconsiderable library of books and records after his death led Sarkar to explore the possibility of the Sitamau Library being the final custodian of the Sardesai collection. We have this letter to Sinh in March 1948:

The Bombay Govt have agreed to found a Maratha University in Poona and Dr P.M. Joshi has come here and bought for this University Dr D.R. Bhandarkar’s library (richest in complete sets of learned journals and books on orientology— Hindu period) for Rs 35,000/–. He has proposed to his Govt. to buy (or secure as a gift) Nana Sahib’s (Sardesai) library at Kamshet. …Naturally Nana would wish to enrich the Poona University. But your argument would be that in Poona there is a full Marathi historical library at the Mandal, while in Malwa there is only the very small beginning in your house. In the name of Avanti — of Kalidas and Vikram — you can legitimately press Nana to reserve his library (for love or money) for Malwa.

And a little later:

R.B.G.S. Sardesai has agreed to give you the first choice if and when he decides to part with his library. He has founded an admirable and very promising residential public school for boys (in Marathi) here, and has been happy in securing a first–rate Headmaster (Mr G.L. Chandavarkar) and a jewel of a matron for the institution. I have suggested to Nana that if he sell his Library for say, Rs 6,000, the amount may be put by him into the funds of his school, but he has not given a definite answer yet. Several of his books are now absolutely unprocurable for love or money.

But there were other bidders and in particular the Government of Bombay. A little over a year later Sarkar cautioned in a note marked ‘Confidential’:

The desire of the owner of the Maratha historical library at Kamshet is to sell it to the highest bidder and hand over the price money to the School at Kamshet as a part of its endowment fund. Dr P.M. Joshi will bid anything to get it. Govt. money ‘has no father or mother’.It would not be advisable for the owner of the Raghubir Library to spend recklessly at this auction — as there are more pressing demands — rare old Eng. Books yet to be acquired

Raghubir Sinh had, in fact, quickly acquired a dual role in Sarkar’s and by extension Sardesai’s life. He was the younger colleague, and student, to be guided, encouraged and treasured. Yet Sinh as scion of a princely state, howsoever small, also fulfilled another role. He, in building up his own research collection and library, had resources, access and connections that neither Sarkar nor Sardesai could match to acquire or have copied manuscripts that would be valuable to their own research.

Raghubir Sinh had, in fact, quickly acquired a dual role in Sarkar’s and by extension Sardesai’s life. He was the younger colleague, and student, to be guided, encouraged and treasured. Yet Sinh as scion of a princely state, howsoever small, also fulfilled another role. He, in building up his own research collection and library, had resources, access and connections that neither Sarkar nor Sardesai could match to acquire or have copied manuscripts that would be valuable to their own research.

Secondly, with regard to Sinh’s dual role, by reason of his birth alone, Sinh had an intimacy with Rajput history and with the Rajput—Maratha interface which made him invaluable for Sarkar’s and Sardesai’s own research. Being a part of the fraternity of the ruling princes of central India meant also a close relationship and in some cases even friendship with the ruling houses of princely states such as Scindia, Jodhpur, Kota, Jaipur, Indore, etc., — the history of each of which figured substantively in Sarkar’s major research work of the 1930s and 1940s, namely, the Fall of the Mughal Empire. A letter of February 1938 from Sarkar to Sardesai illustrates this role and brings out an almost paternal pride with which it was regarded:

Dr Raghubir Sinh when on a visit to Gwalior at the end of January last at the invitation of Maharajah Sindhia, had had a talk with Sir Manubhai, who promised to take steps in the matter of the Meenavali Daftar. The Maharajkumar adds, ‘I made a casual reference to the matter while talking to Maharaj Sindhia also … I did not talk (at length) otherwise it would have touched Sir Manubhai whose cooperation is most essential just now.’ You mark the young Diplomat!!!

Raghubir Sinh had, in fact, direct access to a vast corpus of Rajput history which could illustrate and animate the Rajput— Maratha interface in the late eighteenth century:

Sarkar wrote in September 1937:

When you have more leisure, please secure for me a list of the Rathor chiefs and Heroes who fell (or were wounded) at the Battle of Merta 12th September 1790. … I want the names of these Rathors, their thikanas, and their earlier deeds or family feuds and a few characteristic touches (habits or character or appearance) if you can secure them. You may start the inquiry through your friends in Marwar or old Barhat families who possess MS family histories.

Sinh was in fact a full–fledged member of the circle extracting and unearthing manuscripts and Sarkar had often the role of the equally enthusiastic researcher but also a more careful older voice of caution. A letter to Sinh in January 1941 says:

I learnt that you are pressing the Gwalior Darbar to pay Amritrao Parasnis Rs 3,000 for the Sindhia papers without insisting on having them first examined by an expert like Sardesai on the ground that if the transaction is not quickly clinched by the Darbar these records may be sold to a foreigner or may perish. But considering the character of the vendor such blindfold bargaining with him would be worse than useless.

But in other cases, even Sarkar, normally a hard bargainer, realized the need for expedition as in this letter of August 1938:

What you write about Beni Ram’s papers makes my mouth water. Keep the matter an absolute secret and clinch the negotiations without caring to save Rs 50 or Rs 100, provided the papers are genuinely old and voluminous.

…with regard to Sinh’s dual role, by reason of his birth alone, Sinh had an intimacy with Rajput history and with the Rajput—Maratha interface which made him invaluable for Sarkar’s and Sardesai’s own research. Being a part of the fraternity of the ruling princes of central India meant also a close relationship and in some cases even friendship with the ruling houses of princely states such as Scindia, Jodhpur, Kota, Jaipur, Indore, etc., — the history of each of which figured substantively in Sarkar’s major research work of the 1930s and 1940s, namely, the Fall of the Mughal Empire.

A Supportive Fraternity of History

Following the award of the DLitt. for ‘Malwa in Transition’ we find Sarkar trying to refocus Raghubir Sinh’s next research interest on Mirza Rajah Jai Singh:

I am getting old and have therefore given up the idea of dealing with the Jaipur records myself. … You are the person best fitted by your minute local knowledge of Malwa and Rajputana to work this source exhaustively, taking up every class of information in it — social, political, administrative, etc. The result would be something unique in medieval Indian history — which has hitherto been a record of war, bloodshed and dynastic changes, and, unlike the histories of European countries, concerned hardly at all with the growth of institutions, social life and the actual operation of administration.

Sarkar’s recommendation followed: ‘You should master the Persian language (historical prose only) sufficiently to make yourself independent … and to be able to pick information out of MSS directly without having to wait for their being transcribed and translated.’ In January 1937, Sarkar pressed both points again — learning Persian, and ‘I anticipate that the career of Mirza Rajah Jai Singh will fascinate you so much that you will concentrate on him and, most probably continue the study of the dynasty of Amber up to 1698 and forget for a time your beloved Malwa.’

GS Sardesai.

GS Sardesai.

While this particular idea does not appear to have generated sufficient enthusiasm in Sinh, Sarkar had in fact put his own reputation in getting him acknowledged as a major historian.

‘It would be an excellent thing if you undertake to edit one of the Poona Residency Correspondence volumes along with us. … It would be a most important opportunity for making yourself known and appreciated by the scholarly world of Europe.’

Sarkar suggested that Sinh buy the letter book of Charles Malet for the period 1780–84 from a rare book and transcript dealer in London who had put it up for sale. These letters would be a valuable supplement to the documents relating to Malet included in the Poona Residency Records series. Sarkar’s practical advice to Sinh was that since these letters were not available in the Poona records in editing the Malet letter book ‘… you will not be called upon to visit Poona’.

In case Sinh was unsuccessful in securing the letter book, Sarkar outlined his backup plan: ‘I shall arrange with Sardesai to give you the editing work of some other volumes of the Poona Residency Records.’ In the event Sinh’s attempt at securing the manuscript was successful. We have Sarkar writing to Sinh of how ‘thrilled’ he was at the news of ‘this great victory’ which he attributed to Sinh having sent a cable to secure the document (which also Sarkar had not just advised but also sent a draft of the telegram).

Sarkar’s recommendation followed: ‘You should master the Persian language (historical prose only) sufficiently to make yourself independent … and to be able to pick information out of MSS directly without having to wait for their being transcribed and translated.’ In January 1937, Sarkar pressed both points again — learning Persian, and ‘I anticipate that the career of Mirza Rajah Jai Singh will fascinate you so much that you will concentrate on him and, most probably continue the study of the dynasty of Amber up to 1698 and forget for a time your beloved Malwa.’

In the preparation of the edited volume of Malet’s letters Sarkar’s instructions were detailed and precise: ‘You will have to consult Sardesai on the details of Maratha affairs during the four or five years covered in it.’ And:

Malet’s handwriting is very bad. Mr Dighe has made himself an expert in reading it … [T]he best course would be for you to take it to Bombay with yourself and deliver it to Sardesai for being typed (one side of paper, with one carbon copy) by Dighe (who will consult Sardesai in cases of doubt). For this you will have to pay Dighe the typing charges. … You will thus get the raw material for your editorial work.

And later:

In Forrest’s Bombay Secretariat Selections, Maratha series, there are some letters from Malet. Carefully compare them with the manuscript you have secured … when you edit the manuscript and write the introductory sketch. For place names you will have to consult Sir James Campbell’s Bombay Gazetteer (the 1st edition), volumes on Surat and Broach (where Malet lived during these years).

Sarkar’s efforts to establish Sinh as a historian of repute in his own right in fact were many. He arranged for Raghubir Sinh to speak at the 1937 session of the Indian Historical Records Commission and present in summary form the contents of Malet’s letter book. Similarly, in September 1938 before the Kamshet meeting we have him advising Sinh that a report on his manuscript collection would ‘add greatly to the value of your speech’. Selections from Sir C.W. Malet’s Letter Book 1780–1784 appeared in 1940 and it is listed as a supplementary volume in the Poona Residency Records series. By mid–1939 Sarkar and Sardesai decided that the responsibility of editing a second volume in the Poona Residency Correspondence could also be given to Sinh. By this time the Malet letter book volume was nearing finalization — and Sinh was assigned the period 1800–03. The volume finally formed Vol. IX of the Poona Residency Correspondence with the title ‘Daulat Rao Sindhia and North Indian Affairs 1800–1803’ and was published in 1943. A third volume forming Volume X in the Poona Residency Correspondence collection was also edited by Sinh and published in 1951 as The Treaty of Bassein and the Anglo Maratha War in Deccan 1802–1804.

Raghubir Sinh, however, continued to be associated with public issues to a far greater extent than either G.S. Sardesai or J.N. Sarkar or the other historians and scholars in their circle. As heir to the throne of a princely state, howsoever small, it was inevitable that Raghubir Sinh would have a public life outside history, notwithstanding his passion for historical research and studies. His life as a historian, in fact, followed a complementary and parallel track of his role as the heir. Having a law degree, he had been appointed a judge of the high court of Sitamau — a post he held from 1932 till 1940. He was, as heir, also assigned the responsibility over other departments of Sitamau’s administration — revenue, education, health and others, apart from being associated with the Chamber of Princes.

Sarkar’s efforts to establish Sinh as a historian of repute in his own right in fact were many. He arranged for Raghubir Sinh to speak at the 1937 session of the Indian Historical Records Commission and present in summary form the contents of Malet’s letter book. Similarly, in September 1938 before the Kamshet meeting we have him advising Sinh that a report on his manuscript collection would ‘add greatly to the value of your speech’.

His participation in the sessions of the Chamber of Princes led to an intervention on the issue of princely states which should be seen in the context of the wider political debate then under way in India. The intervention was in the form of a book, Indian States and the New Regime, published in 1938 and is an early attempt to address issues arising from the 1935 Government of India Act for a future independent and federal India and the role of the princely states in such a federation. The book had a forward by Sir C.P. Ramaswamy Iyer, then dewan of Travancore a and who was in the eyes of many a virtual institution of law and politics of early twentieth century India.

Ramaswamy Iyer wrote: ‘It is a sign of the times that the heir apparent of the Sitamau State in Central India, should not only win academical distinctions and a doctorate for his writings on historical topics but should publish a comprehensive and well–conceived monograph dealing with the history of the relations of the Indian states with the Paramount Power.’

The reason for embarking on this treatise — the book runs into some 500 pages — were stated by Raghubir Sinh as: ‘The tide of democracy is rising with an added force: it would not be very long before this rushing tide will overflow the bounds that separate the Indian States from British India and will flood the Indian States as well.’

Raghubir Library and Research Institute.

Raghubir Library and Research Institute. [Credits: natnagarsitamau.com]

It is evident that Raghubir Sinh was engaged deeply with the future of the princes in a democratic India. The position he saw is described graphically in terms of ‘The Two Indias’ and ‘The Partition of India’. ‘India,’ wrote Sinh, ‘geographically one and indivisible, is politically divided into two arbitrary parts: …The two Indias share the same glorious past and the same great cultural heritage. While the states still retain the ideals of kingship, a despotic autocracy based more or less on the theory of divine right, British India is developing democratic institutions …. [for] all political purposes British India and Indian India are two different worlds.’

The answer lay for Raghubir Sinh in a federal arrangement requiring cooperation between the princely states. While this process was assisted by the creation of a Chamber of Princes, it remained weak and faltering on account of differences between the larger and the smaller princely states. A reviewer in International Affairs, the journal of the Royal Institute of International Affairs, pointed out ‘… the author found fault with “small” states though he himself is connected with a “small” state’.

His participation in the sessions of the Chamber of Princes led to an intervention on the issue of princely states which should be seen in the context of the wider political debate then under way in India. The intervention was in the form of a book, Indian States and the New Regime, published in 1938 and is an early attempt to address issues arising from the 1935 Government of India Act for a future independent and federal India and the role of the princely states in such a federation.

For scholars as driven as Sardesai and Sarkar, Raghubir Sinh’s public commitments, howsoever worthy, were nevertheless also costly distractions from historical research. While Sarkar is more forgiving of his protégé and favourite student, Sardesai often was not. We have a letter he wrote to Sarkar in January 1940 with regard to the Malet Letter Book that Raghubir Sinh was editing:

The Malet Letter Book is in print. I consider the introduction not quite what it should be. Have you revised it? All our work so far has been nearly first rate and has nowhere been faulted with. This character must be maintained. The Maharaj Kumar [sic] is not yet adept in printing and get up. He has too much else to occupy him. …

Sarkar’s defence of his protégé is also characteristic:

Malet’s letter book is only of secondary importance as regards the history of India, but it is an integral part of his life story, and besides fully dealing with Broach affairs gives good contemporary criticism of the English side of the first Maratha War. The MSS being unique, I insisted on its publication. I shall revise the editor’s introduction again, but the nature of the letters prevents the volume from rising to the height of Vols 1 and 2 of the series. It cannot be helped.

During the war years Raghubir Sinh joined the British Indian Army — not uncommon for princes. He rose to the rank of major before resigning his commission in 1945. He did not see active service and was posted at Peshawar and Madras while in uniform. Decades later Raghubir Sinh reminisced that he was prompted to join the army to learn something new: understanding military tactics would help in understanding history. Sarkar’s letter to Sinh on the latter’s joining the army also merits to be quoted:

Military training is an indispensable part of a nobleman’s culture, and I congratulate you on the opportunity for it now opening before you. In old age you may even utilise your leisure by excursions into the unexplored field of the ‘progress of the art of warfare in Medieval India’.

The correspondence with Sarkar continued through this period and with it a steady stream of proofs of the Poona Residency Correspondence, copies of manuscripts and suggestions of books and papers to acquire for Raghubir Sinh’s now growing library.

For scholars as driven as Sardesai and Sarkar, Raghubir Sinh’s public commitments, howsoever worthy, were nevertheless also costly distractions from historical research. While Sarkar is more forgiving of his protégé and favourite student, Sardesai often was not.

For instance, Sarkar wrote in September 1943:

Thanks for my manuscripts of the Lataif–ul–akhbar received back from your munshi more than a month ago. He has asked me to send you, at Palavaram, two more Persian manuscripts from my library to be copied for you. I am rather puzzled which volumes to select, as I have no note about the MSS already transcribed for you from my collection, except the Jaipur transcripts (18 volumes), the akhbarat (both Tod and Jaipur) and the Haft Anjuman have all already been returned by you after copying [sic]. I shall pick out the manuscripts relating to (i) 1707–1738, (ii) the Deccan Sultanates and (iii) misc. letter books, land grant orders, 1650–1760 in the descending order.

And in April 1944:

Dr V.G. Dighe is working on the career of Jaswant Rao Holkar I, and is in sore need of Prinsep — ‘Memoirs of Pathan Soldier of Fortune, Meer Khan’ of which you have a copy. In case you have not made any rule for never lending the book, I shall feel obliged if you can help Dr Dighe with a loan of this work.

Over time, as the relationship matured, we see, as in the case of Sardesai and Sarkar, concern and affection becoming more visible in the Sinh—Sarkar correspondence. The younger man’s obvious esteem and regard are made evident in ways that move the now ageing and grief–stricken Sarkar greatly. Writing about the Hindi edition of A Short History of Aurangzeb which Sinh was helping prepare, Sarkar wrote in June 1950:

In going through the MS of the Hindi translation, I have noticed that all these pages — running to over one hundred — have been written by you in your own hand. You no doubt take delight in doing your guru’s work to the best of your power. But believe me, it pains me to think that you have not only composed and corrected the language of this long work, your hand being detected in the brilliant version of the chapter (8th) on Aurangzeb’s religious policy, which no one else could have done half so well, but also gone through the drudgery of copying every line in your own hand.

In fact, as the two masters aged and grew more frail their students had formed a protective cloak around them. We have the following letter from Qanungo to Raghubir Sinh in January 1957:

Guruji had slow fever in the month of his birth which popular superstition always associates with an ill omen … I will not give up Guruji without a fight, even though a fight against destiny. Prayer is my weapon … I write to you because Guruji may forget to write to you though you stand nearest to his heart.

And again a few weeks later in in March 1957:

Sir Jadunath according to the latest report is out of immediate danger. …When I heard of his illness I was completely upset and so I wrote letters to all his pupils known to be closest to his heart. I was on war path against the god of Death with spiritual forces of prayer and am still fighting to save Guruji at least for a couple of years.

Through the early and mid–1950s, although Sarkar had been regularly in correspondence with Sinh the letters of the last few years show a gradual and unmistakable role reversal as the former student now becomes a principal support. The daily grind of frailty and old age, worries about his family and further tragedies are a prominent part of the letters that Sarkar writes.

Through the early and mid–1950s, although Sarkar had been regularly in correspondence with Sinh the letters of the last few years show a gradual and unmistakable role reversal as the former student now becomes a principal support. The daily grind of frailty and old age, worries about his family and further tragedies are a prominent part of the letters that Sarkar writes.

 

In September 1955: ‘After five years of decline my sole surviving son … left us. His agonies have ended but his mother’s know no consolation.’

And in April 1957:

On the 2nd of this month I lost my grandson Amit (a Lieutenant) as a result of a motor cycle accident at Poona where he was attending the College of Military Engineering. You knew him as Dantoo when you used to take the two brothers in your car from my house in Badur Bagan in 1936. I have seen the whole of the second generation after me cut of and this last stroke has fallen on the third generation.

And in addition to his wife’s and his own ill health there is the ever–present concern regarding Sardesai:

Nana Saheb Sardesai has been terribly upset by the premature end of his lifelong friend and fellow clansmen Mavlankar … Nana Saheb writes that he is physically breaking down. He wrote to me on the 5th — ‘I am daily getting weaker and the hands shake making writing impossible. … The end daily appears in sight.’ … Please write to him directly.

But despite all these preoccupations, the engagement over history and straightening the most obscure historical detail remains a priority. Thus, we have Sarkar writing to Raghubir Sinh in November 1955 again with regard to the battle of Dharmat:

Received both your letters and your paper on the date of Dharmat. On further consideration I agree that the date of the week (Friday) was less likely to be wrongly entered by contemporaries (and hence perpetuated in Persian MSS) than the day of the month.

In question was the date of the battle of Dharmat, important as we shall see both for Sardesai and Sinh, in which Aurangzeb had secured his first victory against Shah Jahan and Dara Shukoh’s armies led by Jaswant Singh, the Raja of Jodhpur. One of Jaswant Singh’s principal commanders was Raghubir Sinh’s ancestor Ratan Singh, the ruler of Ratlam who was killed in this battle.

The Raghubir Library is a treasure trove of rare manuscripts and documents.

The Raghubir Library is a treasure trove of rare manuscripts and documents.  [Credits: natnagarsitamau.com]

Contacts between the circle of historians around G.S. Sardesai and Jadunath Sarkar continued after their mentors’ death. S.R. Tikekar, Sardesai’s devoted associate, and Raghubir Sinh in particular wrote regularly to each other for over two decades — about old times and the masters, gossiping occasionally about the new history establishment that now called the shots but also occasionally discussing possible new projects. Tikekar was to compile and edit Sarkar’s letters to Raghubir Sinh and this was published as Making of a Princely Historian by the Government of Maharashtra. This exercise made the past again come alive and as Tikekar wrote to Sinh while reading the proofs:

The care about the fraction of an anna, the hasty enquiry about a MS, or a paper of notes and the quick report about its find by his side, the detailed instruction about this or that item of work … all possible only in the case of JNS.

And again: ‘… for the past week or so, I was enjoying the company of these elders who are no more while reading the proofs … Oh, what a grand company it was and what an enjoyable experience was mine.’

Contacts between the circle of historians around G.S. Sardesai and Jadunath Sarkar continued after their mentors’ death. S.R. Tikekar, Sardesai’s devoted associate, and Raghubir Sinh in particular wrote regularly to each other for over two decades — about old times and the masters, gossiping occasionally about the new history establishment that now called the shots but also occasionally discussing possible new projects.

Tikekar’s letters bring out all the difficulties of working with the government in a project such as this even though he himself worked in the Maharashtra State Archives. However, when the work appeared in 1975 it enthused both Tikekar and Sinh to think of publishing Sarkar’s letters to his other students. The Tikekar—Sinh correspondence also occasionally dissected specific occasions of the masters’ lives. On one occasion, while the editing of Making of a Princely Historian was in progress, Tikekar inquired whether Sarkar had written to Sinh after Mahatma Gandhi’s assassination and, if not, the reason for this. Sardesai had then written to Sarkar on 2 February 1948: ‘The wicked act of the Mahatma’s murder will remain a standing disgrace to the Brahmans of Maharashtra.’ With regard to the absence of any reference to the assassination in Sarkar’s letters to himself, Sinh wrote:

Whatever be the cause, I feel that he was in no mood to comment or soliloquize on the tragic event. I feel that the partition of the country, separation of his own hometown and district from the Indian dominion, his dear ones and his own property thus going into the foreign land must have only aggrieved his feelings which were sufficiently scarred by the sad death of his elder son, A.N. Sarkar, during the pre–partition riots in 1947. Hence this ominous silence.

He also related the concerns Sarkar may have had about his (Sinh’s) future:

There were the days when the process of merger of Indian states had begun, and he might have been very much disturbed over the effects of the same on a person like me. He was even thinking of me in these troubled times and also to guess whether … the major changes will be for my betterment or for worse, as he felt it might help or distract my historical studies.

Raghubir Sinh and Tikekar also relieved in their own letters many of the regional parochialisms their mentors had experienced. After The Making of a Princely Historian was published, we have Tikekar writing:

(The) Poona Pandits were agog with Sitamau and its Prince on seeing the book as it is in circulation there. Everyone is curious — how I should know you and how moreover you should carefully preserve all the letters over the years. For a Maharashtrian to be after a Bengali and a Rajput was something most unusual according to the orthodox school. Such cosmopolitan outlook was perhaps far beyond their ken.

Raghubir Sinh’s reply also underwrote the long afterlife of older rivalries: ‘These bloody Poona Pandits must have been quite shocked and now (are) busy cursing you with all their heart.’ And a few weeks later Tikekar wrote about other fronts: ‘What’s the princely reaction that you have received so far? I don’t know how the Bengali gang is going to react to the publication.’

The Bengali gang, Sinh replied, would welcome the book although many ‘… who think highly of themselves without much real worth will necessarily be very jealous’ and there would be others who would not be happy ‘… as it means a propaganda for a former prince’. The letter concluded somewhat characteristically: ‘This is all your mischief, for which I shall remain grateful.’

Tikekar’s letters bring out all the difficulties of working with the government in a project such as this even though he himself worked in the Maharashtra State Archives. However, when the work appeared in 1975 it enthused both Tikekar and Sinh to think of publishing Sarkar’s letters to his other students. The Tikekar—Sinh correspondence also occasionally dissected specific occasions of the masters’ lives

Raghubir Sinh was to remain a committed letter writer all his life. Apart from the correspondence with Sarkar, at least two other collections of his letters have been published and these too underline lifelong interest in Rajput and Malwa history, literature and, most of all, authentic manuscripts.

A Historian in Public Affairs

At the same time Raghubir Sinh himself was now moving on to a larger national stage. In May 1952 he was nominated a member of the Upper House — the Rajya Sabha — of the Indian parliament and remained so up to 1964. In 1951 he published two works in Hindi, Ratlam Ka Pratham Rajya (The First Kingdom of Ratlam) and Poorva Adhunik Rajasthan (Pre–Modern Rajasthan) and we will engage with both these works later. This was also the year in which the Hindi translation of Sarkar’s abridged version of Aurangzeb was published on which Sinh had worked so hard and which had so touched Sarkar. Later in his life he was to write popular but accurate and well–researched works in Hindi such as Maharana Pratap (1973) and Durgadas Rathor (1975). Revised and updated works on Maharana Pratap appeared in 1980 and 1983.89 As a member of parliament, Sinh is described as having followed in particular issues such as culture, literature and Hindi as the national language.

Writing history in Hindi — rigorously researched and lucidly written — had become and was to remain a priority for Sinh. The commitment to Hindi led to an unusual situation at the 1952 session in Gwalior of the Indian History Congress where Sinh had been invited to deliver the presidential address to the Local History Section. Sinh wanted to ‘… deliver this address of mine in Hindi, the national language of our beloved motherland’. Although this ‘… would have been a real departure from the past practice’, Sinh said he was confident ‘that all those interested in the history of the land of Bhartrihari and Bhoj, even though coming from the distant non–Hindi speaking regions, know Sanskrit sufficiently enough to understand such an address in Hindi’. Sinh, as it happened, was persuaded to do otherwise and address the session in English although he issued a Hindi version of his address as he felt ‘… he must speak to the people of my home province only in Hindi’.

In Sinh’s engagement with public affairs at the national stage we see a clearer, sharper focus on what had been earlier his principal research interest: the preservation of regional identity, its integration into a larger national edifice and the writing of objective history to smoothen the interface between the regional and the national. In his 1952 address to the Local History Section of the Indian History Congress he underlined that ‘… in a vast country like India, a really complete and fully comprehensive national history cannot be prepared without the help of the authoritative histories of the different provinces, as these regional histories provide the solid foundations of the national history’.

In Sinh’s engagement with public affairs at the national stage we see a clearer, sharper focus on what had been earlier his principal research interest: the preservation of regional identity, its integration into a larger national edifice and the writing of objective history to smoothen the interface between the regional and the national.

If in the early years after Independence, the regeneration and reconstruction of India, was ‘the primary concern’, history also pointed to the danger of centrifugal tendencies:

[E]ven though, for us Indians, the fundamental unity and inevitable indivisibility of India has since times immemorial been not only an undisputed fact but also a conception of everyday worship and an important article of political ideology, the regional peculiarities aggravated by the geographical vastness of the country have always provided a ready field for the centrifugal tendencies. Thus, time and again the political and administrative unity of India floundered on the rocks of the growing weakness of decadent central authority, internal disunity and regional insurgence.

For independent India the answer, in Sinh’s view, could only be constituting the regional units so that ‘… they provide for a solid foundation… as the integrant parts of a composite body politic’. This was essential because ‘the Constitution of India’, Sinh asserted, ‘cannot by itself perpetuate the Union.’

Sitamau State Coat of Arms.

Sitamau State Coat of Arms.

This argument was clearly derived from his research on Malwa’s history. Malwa’s identity had disintegrated in parallel with the fall of the Mughal Empire and by the time of its transfer to the Marathas it was parcelled into a number of principalities of Rajput rajas, Muslim nawabs and Maratha warlords. The Peshwa ‘generally gave their generals more than one non–contiguous areas interspersed with the lands ruled by others … [and this] cut deep at the very roots of the cultural homogeneity of Malwa’. The British may have established peace and security but ‘… they failed to restore to Malwa its political unity and thus the centuries–old historical continuity of the region was completely cut off and lost in the maze of the political boundaries of the different states into which it was divided’. For a historian, therefore, the task was to supersede the dynastic and family–oriented multiple histories emanating from Malwa ‘through which family rivalries, dynastic jealousies, racial animosities and interstate antagonisms … gained added importance’.

In these circumstances, the priorities, for Sinh at least, was to expedite the rise and growth of a ‘new regional outlook’ that would supersede the dynastic. For which it was essential that ‘… regional history be compulsorily taught even at lowest classes of the schools and encouraged in later years of college studies.’ Regional history would be the building block for national history just as regional identities would reinforce the nation. It is easy to see the themes that predominated in Malwa in Transition and the non–dynastic treatment of political history that characterized his 1951 book Poorva Adhunik Rajasthan informing these views.

But most of all Independence meant an opportunity to undo the historical wrong done to Malwa in the eighteenth century with the collapse of the Mughals and Maratha expansion. We get occasional glimpses of how much the subject of Malwa engaged Sinh’s attention in the post–1947 period from occasional comments in letters of Sarkar. In March 1948 he wrote to Sinh: ‘The Union of Malwa when accomplished will heal a long–standing grievous wound in the body of mother India.’

In these circumstances, the priorities, for Sinh at least, was to expedite the rise and growth of a ‘new regional outlook’ that would supersede the dynastic. For which it was essential that ‘… regional history be compulsorily taught even at lowest classes of the schools and encouraged in later years of college studies.’ Regional history would be the building block for national history just as regional identities would reinforce the nation.

Sinh’s policy takeaway from his research and understanding of regional identity and history, however, comes through most strongly in a long memorandum he submitted to the Indian States Reorganisation Commission in 1954 titled’. ‘The Reorganisation of the States of Madhya Bharat.’

Madhya Bharat had existed as an improvised administrative unit since Independence comprising the large princely states of Gwalior and Indore along with some dozen and a half smaller princely states. Sinh’s memorandum is a compression of the administrative history of this region under the Mughals, the Maratha and the British as equally an analysis of the linguistic and cultural diversity within the region. In the writing of the memorandum and in framing its recommendations there is very evidently a reliance on his understanding of the forces and factors he had identified as a historian of Malwa.

For instance, writing of contemporary administrative problems and difficulties, Sinh said: ‘The first and foremost of all such problems is the very well–known rivalry and tussle between the cities of Indore and Gwalior. Even though originally a direct result of the dynastic jealousies and state rivalries between those of Sindhia and Holkar, it has continued unabated…’ The memorandum, in fact, is deeply permeated by Sinh’s study of the late eighteenth century in Malwa in Transition and his recommendation to the States Reorganisation Commission emerge out of his view of the rupture in the history of Malwa in the eighteenth century.

The substance of this submission was a demand for a separate state of Malwa to replace the administrative expediency adopted after 1947 of accumulating disparate areas from different princely states into Madhya Bharat, which was based on the ‘… old pattern originally laid down by the British rulers of the country during the latter half of the XIXth century’. Madhya Bharat as constituted after 1947 was based on boundaries of princely states ‘… finalised and duly demarcated by Sir John Malcolm’. This, therefore, meant that predispositions of the British — ‘very much carried away by their own supposed notions of dynastic affinities or historical continuity’ — were not corrected and needed to be rationalized. Sinh gave numerous examples of the irrationality and arbitrary approach by which small princely states were allocated to Madhya Bharat or to the Rajputana Agency later to be reconstituted as Rajasthan.

The memorandum could only have been written by a historian of Malwa and, in fact, it is the political argument emerging from Malwa in Transition. His argument in brief was that Malwa’s ancient and well–defined administrative and cultural unity faced erosion with the decline of the Mughals and the rise of the Marathas. The failure of the latter to create a viable central structure in Poona meant that Malwa became the theatre of a bitter Scindia—Holkar rivalry and from the end of the eighteenth century ‘… commenced a period of serious unrest and unmitigated rivalry’ and ‘by 1817 the disorganisation in Malwa had reached a climax’. British intervention in central India thereafter led to a ‘… most amazing and quite a difficult jigsaw puzzle’ — in brief a further dilution of Malwa’s identity.

 

His argument in brief was that Malwa’s ancient and well–defined administrative and cultural unity faced erosion with the decline of the Mughals and the rise of the Marathas. The failure of the latter to create a viable central structure in Poona meant that Malwa became the theatre of a bitter Scindia—Holkar rivalry and from the end of the eighteenth century ‘… commenced a period of serious unrest and unmitigated rivalry’ and ‘by 1817 the disorganisation in Malwa had reached a climax’. British intervention in central India thereafter led to a ‘… most amazing and quite a difficult jigsaw puzzle’ — in brief a further dilution of Malwa’s identity.

The thrust of Raghubir Sinh’s submission was to radically redraw boundaries of Madhya Bharat and re–establish Malwa’s old identity. The evidence he presented was administrative, linguistic and political — but this was emphatically most of all a historian’s argument. ‘Since very ancient times the Malwa region has figured very prominently in Indian history. Its well–known chief town, Ujjain, had become even in Buddhistic times an important seat of Indo–Aryan culture.

Raghubir Sinh’s short point was that it was only under the Marathas that Malwa’s political and administrative unity was ‘completely shattered’. This ‘could not be duly restored even by the British’. However, in the more recent past with education, growth in knowledge about their past, growth of cultural consciousness and, above all, rapid political awakening, Malwa’s own traditions and regional unity had become live factors and ‘… must necessarily be duly taken care of in any scheme for the reorganization of the existing states in the region’.

The recommendation he made, in brief, was for Madhya Bharat to be reconstituted as Malwa by a process of significant subtractions and additions to its territory. The significant subtraction was detaching Gwalior state from the new state. The most significant addition was adding most of the old princely state of Bhopal to it as also the Hoshangabad and Nimar districts of the Central Provinces of British India. This restructuring and reorganization of Madhya Bharat will mean that ‘… the new state of Malwa will most definitely be a very great tower of strength to the Indian Union and a really powerful source of inspiration to the Indian nation’.

Raghubir Sinh’s enthusiasm for a new state of Malwa was, however, not widely shared and his oral testimony before the States Reorganisation Commission saw some close cross– questioning of his memorandum by an unconvinced K.M. Panikkar, an accomplished historian and administrator and a member of the Commission. When, asked Panikkar, was Malwa last in existence? On receiving ‘1742’ in answer from Raghubir Sinh, Sardar Panikkar went on to say: ‘There is no mention of anything belonging to Malwa. From the historical point of view for the last 212 years there is no such thing. So, you want to make a case for Malwa today.’

Panikkar remained unconvinced and pointed to the larger concerns which obviously the Commission heeded — the financial viability of the state, the implications for future hydroelectric and irrigation projects on the Chambal and the Narmada, etc. That Sinh sounded, and was unconvincing, is not surprising: his argument was almost entirely a historical one. To Panikkar’s comment that Malwa had not existed now for over two centuries, Raghubir Sinh replied: ‘…certain traditions and certain things have gone on.’ To buttress his arrangement for Hoshangabad district being detached and included in Malwa he argued: ‘In Hoshangabad district there is a town named Seoni. To distinguish it from another town of same name, the former is called Seoni Malwa.’

Raghubir Sinh’s enthusiasm for a new state of Malwa was, however, not widely shared and his oral testimony before the States Reorganisation Commission saw some close cross– questioning of his memorandum by an unconvinced K.M. Panikkar… When, asked Panikkar, was Malwa last in existence? On receiving ‘1742’ in answer from Raghubir Sinh, Sardar Panikkar went on to say: ‘There is no mention of anything belonging to Malwa. From the historical point of view for the last 212 years there is no such thing. So, you want to make a case for Malwa today.’

As the hearing concluded, the sceptical Panikkar, however, had a final piece of advice for Raghubir Sinh:

‘I want to suggest to you a very important thing. I want you to write the history of 1857. You know Marathi. You are the only man who can do it. Instead of going into these petty things you (had) better write the history of 1857.’

What emerged from the States Reorganisation Commission was a giant Madhya Pradesh, literally the old Central Provinces — in which to the original British Central Provinces all the princely states of the region were added — Bhopal, Gwalior, Indore and a host of smaller ones including Sitamau. If no separate state of Malwa was then or has since been created, it remained nevertheless central to Raghubir Sinh’s thought, and to this day the postal address of the institute he founded remains the one he had always used: Shree Natnagar Shodh Samsthan, Sitamau, Malwa.

After two terms as a member of parliament, from 1964 onwards he devoted himself to his principal priorities — history, research and the building up of his research library in Sitamau. The extent of Jadunath Sarkar’s and Sardesai’s influence is illustrated by his commitment to the finalizing of their incomplete projects, which he made his own and saw to some kind of fruition when old age and frailty had incapacitated and then removed his mentors. We shall touch on each of these later. Each was no less than a quest — pursued over decades — and animating, in the process, a shared friendship and love of history.

Family tragedies of the kind that had struck Sarkar and Sardesai did not spare him either. In 1967 a young son died tragically in a swimming accident within days of his marriage followed by the death of Sinh’s father. He chose then not to be the titular raja of Sitamau state and stepped aside in favour of his son. Till his death in February 1991, Sinh was active in research, editing and compiling of documents on Rajput, Maratha, Mughal and Malwa history. The library in Sitamau remained to the end his passion. An annual research conference held in its premises in his memory remains today a testimony of Sitamau’s prince who chose instead to be a historian.


This excerpt has been carried courtesy the permission of TCA Raghavan. You can buy History Men: Jadunath Sarkar, GS Sardesai, Raghubir Sinh and their Quest for India’s Past here.

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THE INDIAN MATCHLOCK

Even small numbers of matchlocks gave great military advantage in regional warfare in Asia in the early sixteenth century. Much is made of the consequences for firearms development due to the Portuguese arrival in India and further east but the role of the Turks in the development of firearms in this vast region is scarcely mentioned though they too in the same period became an Indian Ocean power with particular interests in pilgrim traffic, the spice trade and jihad. Ayalon’s first recorded use of a handgun (as opposed to a cannon) in Egypt is 1490. In the Indian Ocean the Mamluks looked to the Turks for cannon and guns with which to fight jihad against the Portuguese. Alliances made by the Turks explain why some places between India and China have Ottoman-style gun locks and others Portuguese. These two styles of gun replaced such gun design influence as the Chinese had disseminated in the East though archaic firearms continued in use among the poorest people into the early twentieth century. In 2004 the arms historian Iqtidar Alam Khan wrote: ‘Contemporary evidence can be cited to prove the wide use of a primitive type of gunpowder-based artillery in the whole of India as early as the middle of the fifteenth century. But similar evidence for the handguns is not strong.’

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A Leviathan Attacks Hamza and His Men, 1567

The matchlock mechanism used in India until the twentieth century was first created in Nuremberg in the fifteenth century and copied by the Turks. After the Persian defeat at Chaldiran in 1514 the Persians copied captured Turkish guns. Ottoman gunstocks closely copied late fifteenth-century European guns, depicted in the Codex Monacensis of c.1500. Apart from stock similarities, the chamber end of Indian barrels is invariably marked on the exterior by a raised band or astragal, an early Ottoman detail, intended to reinforce the chamber, which was made of thicker metal than the rest of the barrel. The comb back-sight with a sighting notch or hole also derived from Ottoman barrels as is the decoration of some muzzles. These sights offered the shooter’s right eye some slight protection from exploding barrels. The Mughal emperors appear to have either had access to European guns or copied European designs from at least Humayun’s reign (1530–40 and 1555–6) because his Memoirs describe him owning a double-barrelled gun in 1539.

 

‘Contemporary evidence can be cited to prove the wide use of a primitive type of gunpowder-based artillery in the whole of India as early as the middle of the fifteenth century. But similar evidence for the handguns is not strong.’ — Historian Iqtidar Alam Khan

 

The historian Saxena suggests that cannon and matchlocks were adopted in Rajasthan following the battle of Khanua in 1527. Until the Rajputs established trusted relations with the Mughals it is hard to guess where they might have obtained cannon and guns and any such adoption was negligible and without military consequences. Very few were available in north India until later in the sixteenth century. The Mughal Hamza Nama from the 1560s depicts armies but very few guns. A Leviathan Attacks Hamza and His Men, painted circa 1567, shows two ships, one with a cannon barrel protruding from the forecastle, fighting off a sea monster. Among the passengers we see a crossbowman, three archers and two matchlock men. Their gunstocks have a pronounced step below the breech, a standard feature of Persian and Indian matchlocks until late in the sixteenth century. Significantly, one gun has been drawn showing a serpentine, the S-shaped trigger mechanism that guides the lighted match to the touch hole. From Abu’l Fazl we learn that the Emperor Akbar ordered guns to be made with two lengths of wrought-iron barrels, banduk, the full sized barrel of about 170 cm long (66 ins); and the shorter damanak, 113 cm (41 ins) approximately.

A Matchlock from Mughal era

A Rajput Matchlock Blunderbuss (first half of the nineteenth century). Made for a chowkidar or watchman. Courtesy Niyogi Books and Mehrangarh Museum Trust.

It has been claimed that Babur’s use of firearms ended outdated methods of warfare in India. Not as far as the Rajputs were concerned. Maharana Vikramaditya (r.1531–7) attempted to arm infantry with guns at Mewar and forfeited the support of his aristocracy. Fifty years after Mughal guns defeated the Rajputs the Rana of Udaipur appears not to have brought firearms to the battle of Haldigatti in 1576. Badayuni, present at the battle, makes no mention of them on either side but one of the Rana’s elephants was injured by a bullet. The Rajputs are often said to have fully adopted Mughal culture by the late sixteenth century but their attitude to guns and cannon certainly differed from that of the Mughals. For centuries Hindu kingly tradition had extolled the importance of becoming a chakravartin, a great ruler dominating by force of arms neighbouring lesser kings. It was unthinkable by Rajput warriors that this status could be achieved using gunpowder weapons. The Rajputs never lost their virile belief that war was a matter of individual combat for personal glory. They largely ignored other societies’ tactical development of firearms, which diminished the individual’s ability to show his skill with edged weapons and his courage. A warrior should fight his enemy up close and the Rathores had such contempt for firearms that a wound from a sword received double the compensation paid to a similar wound from a gun. The seventeenth-century Iranian traveller in India, Abdullah Sani, who attended Shah Jahan’s court expressed surprise at the large numbers of Rajputs and Afghans serving in the Mughal army. However Jodhpur paintings rarely show Rajputs of status with guns until the second half of the eighteenth century. Hunting scenes show bows being used though there are many literary references to Rajputs using guns. The fame of Rani Durgavati (d.1564), queen of Gondwana, reached Akbar’s court. ‘She was a good shot with gun and arrow and continually went a-huntin… It was her custom that whenever she heard that a tiger had made his appearance she would not drink water till she had shot him.’

 

Maharana Vikramaditya (r.1531–7) attempted to arm infantry with guns at Mewar and forfeited the support of his aristocracy. Fifty years after Mughal guns defeated the Rajputs the Rana of Udaipur appears not to have brought firearms to the battle of Haldigatti in 1576… For centuries Hindu kingly tradition had extolled the importance of becoming a chakravartin, a great ruler dominating by force of arms neighbouring lesser kings. It was unthinkable by Rajput warriors that this status could be achieved using gunpowder weapons. The Rajputs never lost their virile belief that war was a matter of individual combat for personal glory. They largely ignored other societies’ tactical development of firearms, which diminished the individual’s ability to show his skill with edged weapons and his courage. A warrior should fight his enemy up close and the Rathores had such contempt for firearms that a wound from a sword received double the compensation paid to a similar wound from a gun.

 

In contrast to Rajput disdain, Akbar was very interested in guns. Abu’l Fazl tells us Akbar ‘introduces all sorts of new methods and studies their applicability to practical purposes. Thus a plated armour was brought before His Majesty, and set up as a target; but no bullet was so powerful as to make an impression on it.’ More of these were ordered. Since rulers and generals were expected to direct battles from the vantage point of a howdah on the back of the largest elephant available where they made excellent targets one can see why this might appeal to him. Abu’l Fazl acknowledges the importance to Akbar of guns, saying he is responsible for various gun inventions: ‘With the exception of Turkey, there is perhaps no country which in its guns has more means of securing the government than this.’ He further says: ‘His Majesty looks upon the care bestowed on the efficiency of this branch as one of the higher objects of a king, and therefore devotes to it much of his time. Daroghas and clever clerks are appointed to keep the whole in proper order.’ The Padshahnama refers in 1636 to ‘Bahadur Beg, supervisor of the Imperial matchlocks’. Matchlocks ‘are in particular favour with His Majesty, who stands unrivalled in their manufacture, and as a marksman’. ‘Many masters are to be found among gunmakers at court’ including Ustad Kabir and Husayn. ‘It is impossible to count every gun; besides clever workmen continually make new ones, especially gajnals and narnals.’

 

The Portuguese priest Francis Henriques, a member of the first Jesuit mission to Jalal-uddin Akbar in 1580 wrote from Fatehpur Sikri: ‘Akbar knows a little of all trades, and sometimes loves to practise them before his people, either as a carpenter, or as a blacksmith, or as an armourer, filing’. Henriques’s companion, Father Monserrate, confirmed this in his Commentary:

A Matchlock from Mughal Era- Rajput, historyof india, asia, worldhistory

A gold mounted Sindhi jezail. Matchlock rifle. Nineteenth Century. Courtesy Niyogi Books and Mehrangarh Museum Trust.

Zelaldinus [Latin for Jalal-ud-din] is so devoted to building that he sometimes quarries stone himself along with the other workmen. Nor does he shrink from watching and even himself practising for the sake of amusement the craft of an ordinary artisan. For this purpose he has built a workshop near the palace where also are studios and work rooms for the finer and more reputable arts, such as painting, goldsmith work, tapestry-making, carpet and curtain making, and the manufacture of arms. Hither he very frequently comes and relaxes his mind with watching those who practise their arts.

 

In contrast to Rajput disdain, Akbar was very interested in guns. Abu’l Fazl tells us Akbar ‘introduces all sorts of new methods and studies their applicability to practical purposes. Thus a plated armour was brought before His Majesty, and set up as a target; but no bullet was so powerful as to make an impression on it.’ More of these were ordered… The Padshahnama refers in 1636 to ‘Bahadur Beg, supervisor of the Imperial matchlocks’. Matchlocks ‘are in particular favour with His Majesty, who stands unrivalled in their manufacture, and as a marksman’. ‘Many masters are to be found among gunmakers at court’ including Ustad Kabir and Husayn. ‘It is impossible to count every gun; besides clever workmen continually make new ones, especially gajnals and narnals.’

 

Many early Turkish gun barrels were made of bronze but wrought iron gradually replaced these. In 1556 Janissaries sent to further Ottoman interests in Central Asia had their ironbarrelled arquebuses seized by the Khan of Bukhara who gave them inferior copper-barrel arquebuses in return. Early Indian gun barrels were made of sheet of iron rolled into a tube with the two edges brought together and braised. ‘They also take cylindrical pieces of iron, and pierce them when hot with an iron pin. Three or four such pieces make one gun.’ Joining three or four pieces of metal to make a gun barrel sounds particularly hazardous but it should be remembered that in Mughal India as in Ottoman Turkey it was common to make cannon in two parts and since guns were seen as small cannon the same practice applied. The powder chamber required much thicker walls than the rest of the barrel and was made separately. The two parts were then joined, the joint reinforced by an astragal.

 

Barrel-making in Hindustan improved when they were made by twisting a ribbon of iron round a mandrel. In the next stage the metal was heated and the mandrel held vertically and hammered to weld the edges. ‘Numerous accidents’ were caused by barrels exploding. Abu’l Fazl tells us that Akbar tested new guns personally and put the experience to good use.

 

His Majesty has invented an excellent method of construction. They flatten iron, and twist it round obliquely in form of a roll, so that the folds get longer at every twist; they then join the folds, not edge to edge, but so as to allow them to lie one over the other, and heat them gradually in the fire.

 

The overlap described by Abu’l Fazl as Akbar’s invention was already used for joining the cannon which were cast in two parts, the powder chamber (daru-khana) and the stone chamber (tash-awi). Ottoman cannon were made with a screw thread to join the parts but the Indians lacked the technical knowledge to make this. The result of Akbar’s new gun-barrel-making technique was that: ‘Matchlocks are now made so strong that they do not burst, though let off when filled to the top.’ His system may have made barrels stronger but it also made them a great deal heavier, which was unimportant to him as he was extremely strong. There were still casualties however. Maharana Hamir Singh severely wounded his hand when his gun exploded during a hunt in 1778. He died from the infected wound six months later.

 

In 1567–8 Akbar was still trying to bring the Rajputs to heel and he besieged Chittor, the great Mewar fortress where an incident took place that tells us much about guns and contemporary attitudes [the following has been written by Abu’l Fazl].

 

At this time H.M. perceived that a person clothed in a hazar mikhi (cuirass of a thousand nails) which is a mark of chieftainship amongst (Rajputs) came to the breach and superintended the (repairs). It was not known who he was. H.M. took his gun Sangram, which is one of the special guns, and aimed it at him. To Shuja’at Khan and Rajah Bagwant Das he said that, from the pleasure and lightness of hand such as he experienced when he had hit a beast of prey, he inferred that he had hit the man…

 

The man Akbar sniped was Jaimal Rathore, a Mertia Rathore, the fort commander. The next day the women all committed jauhar, immolating themselves in a large fire to preserve their honour, and the warriors sallied out to die fighting. An unsupported story claims Jaimal Rathore’s thigh was smashed by Akbar’s bullet. The wound was mortal. Not wanting the shame of dying in bed he was put on a horse and rode out seeking death in battle, leading the Rajputs out of the fort which they might otherwise have held successfully.

A Matchlock from Mughal Era, historyofindia, india, bharat, itihaas, rajputs

An important matchlock, probably assembled for Maharaja Takhat Singh in the 1840s. Courtesy Niyogi Books and Mehrangarh Museum Trust.

Akbar named this gun Sangram or ‘Battle’ and used it all his life. His son Jahangir later called it ‘one of the rare guns of the age’. Abu’l Fazl records:

 

An order has been given to the writers to write down the game killed by His Majesty with the particular guns used. Thus it was found that with the gun which has the name of Sangram, 1,019 animals have been killed. This gun is the first of His Majesty’s private guns, and is used during the Farvardin month of the present era.

 

The man Akbar sniped was Jaimal Rathore, a Mertia Rathore, the fort commander. The next day the women all committed jauhar, immolating themselves in a large fire to preserve their honour, and the warriors sallied out to die fighting. An unsupported story claims Jaimal Rathore’s thigh was smashed by Akbar’s bullet. The wound was mortal. Not wanting the shame of dying in bed he was put on a horse and rode out seeking death in battle, leading the Rajputs out of the fort which they might otherwise have held successfully.

 

Akbar established a Records Office in 1574 to keep note of events and details of his life but Abu’l Fazl’s account suggests that earlier he kept a Game Book. In a single month over the thirty years that elapsed before the A’in-i Akbari was written, Akbar shot an annual average of almost thirty-four animals with this gun alone. His son wrote in the Jahangirnama: ‘With it he hit three to four thousand birds and beasts.’ Others would have been killed using sword, lance and bow. But the number of animals shot by the emperor was greater than this suggests because Akbar did not limit himself to a single gun each month. Abu’l Fazl explains: ‘His Majesty has selected out of several thousand guns, one hundred and five as khasa [household] guns’. In addition to the twelve guns ‘chosen in honour of the twelve months’ there were guns for the week and for certain days in a most complicated cyclical routine. Nor was this empty ritual. Abu’l Fazl states that: ‘His Majesty practises often’. Jahangir simply said of his father: ‘In marksmanship he had no equal or peer.’

 

Abu’l Fazl wrote of the large numbers of guns being made for Akbar and clearly the Mughals were the major producer in Hindustan but Lord Egerton’s 1896 catalogue of Indian arms attributes no guns to them, merely recognising some pan-Indian regional differences in form and surface decoration. The Mughals led the development of firearms in Hindustan and it must be assumed that Mughal or strictly speaking Persian technology provided the means by which barrels were made in the sixteenth century. Babur’s armourer was Ghiasu’d-din and Mughal armourers mentioned in successor reigns are all Muslim. Did the Rajputs obtain their barrels from Mughal workshops, import them or make them themselves? How should we distinguish Mughal guns from those of their allies the Rajputs? If the seventeenth- and eighteenth-century guns in the various Rajput armouries are all Rajput-made, one is left asking where to find the missing Mughal guns? It would be surprising if the guns the Rajputs obtained were not Mughal in origin. Saxena says that ‘in the beginning guns and cannon were mostly procured from Agra and Delhi’. Lahore with its Persian and latterly Sikh craftsmen became increasingly important. The Rathores have a fine collection of cannon at Mehrangarh Fort but they are all acquired rather than made locally and a high proportion are European in origin. The 1853 arms inventory shows that Jodhpur used two technical terms relating to gun barrels: simple twist construction known as pechdar; and jauhardar by which was meant forms of damascus, terms likely to reflect earlier practice. Most of the seventeenth- and eighteenth-century barrels in Jodhpur are pechdar though many late seventeenth- or early eighteenth-century damascus matchlock barrels combine this with jauhardar. Judged by the evidence provided by Rajput sword construction in the sixteenth and seventeenth centuries the more sophisticated barrels were Mughal in origin. Damascus pattern is a technique associated with Muslim craftsmen but these, including arms makers, were well integrated into the Hindu states. A good heavy gun barrel is fairly indestructible and the collection shows that they were very frequently re-used. Quality gun barrels acquired at the height of Mughal power in the seventeenth and first half of the eighteenth centuries may well have met most of the Rajput aristocracy’s needs in later years.

 

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Akbar shoots Jaimal at the siege of Chittor, Akbarnama (dated between 1590-96).

 

Mughal adoption of Hindu aesthetics made the assimilation of Mughal decoration easy for Hindus. For example, the column bases in the Red Fort in Delhi comprise pots with columns rising out of them, which are decorated with a ring of lanceolate leaves. Those in the Bhadon Pavilion or in the Diwan-i Khass are good examples, both dating from 1639–48. These are certainly not acanthus and Koch says these are ‘reminiscent of lotus petals’ but the carved marble shows a leaf, one that resembles the Indian willow, (Salix tetrasperma, in Sanskrit vanjula). This pot and leaf design has no precedent in Islamic architecture and the kumbha or pot decorated with leaves is an auspicious Hindu symbol. The same leaf design decorates the muzzles of matchlocks found in Rajput armouries from approximately the date of these buildings onwards though the design varies and in time becomes stylised. The original form is found on European barrels, which are adopted but given an Indian interpretation, becoming a shared Muslim/Hindu design: but there are symbols that indicate a purely Hindu gun like the trisula that appears on barrels in the City Palace, Jaipur, a specific order by a Jaipur Maharaja.

 

Mughal adoption of Hindu aesthetics made the assimilation of Mughal decoration easy for Hindus. For example, the column bases in the Red Fort in Delhi comprise pots with columns rising out of them, which are decorated with a ring of lanceolate leaves. Those in the Bhadon Pavilion or in the Diwan-i Khass are good examples, both dating from 1639–48… This pot and leaf design has no precedent in Islamic architecture and the kumbha or pot decorated with leaves is an auspicious Hindu symbol. The same leaf design decorates the muzzles of matchlocks found in Rajput armouries from approximately the date of these buildings onwards though the design varies and in time becomes stylised. The original form is found on European barrels, which are adopted but given an Indian interpretation, becoming a shared Muslim/Hindu design: but there are symbols that indicate a purely Hindu gun like the trisula that appears on barrels in the City Palace, Jaipur, a specific order by a Jaipur Maharaja.

 

The changing acceptability of firearms is indicated by Mughal rulers permitting their portraits to be painted holding guns. A sketch by Balchand shows Shah Jahan as a prince using a matchlock c.1620. More important is the painting of Shah Jahan by Payag, Balchand’s older brother, c.1630–45. The Padshahnama shows retainers holding matchlocks at a 1628 darbar, though the painting recording the event is attributed to 1640, commissioned by Shah Jahan, an example of how from the Mongol period onwards paintings were used to emphasise royal continuity and legitimacy. All the guns have match arms, sinew binds stock and barrel, and curved metal rests, necessary because of the length and weight of barrel, are fixed to forestocks. The stock ends are slightly convex and lack heel plates. All these court guns are decorated with an emerald flanked by two rubies, set at intervals in line up the length of the stock, suggesting they are royal guns. The Venetians led the use of ebony for princely furniture which predated the European discovery of the sea route to India. The studiolo (cabinet of curiosities) of Francesco de’ Medici (1541–87) in Palazzo Vecchio was decorated with ebony set with a variety of precious stones, a design concept derived from India which Francesco pioneered. Craftsmen journeyed from Munich, Prague and elsewhere to Florence to establish workshops making goods in Eastern taste, part of a deliberate Medici policy to establish luxury trades in the city.

A Matchlock from His Highness's collection

Seventeenth century wall matchlock beside a mid-nineteenth century Snider to show scale. Also called lamchar, meaning ‘big and long’. Courtesy Niyogi Books and Mehrangarh Museum Trust.

 

Another Padshahnama painting shows the Mughals capturing the Bengal port of Hoogly from the Portuguese in 1632. The Indians hold the stocks of their matchlocks under the armpit rather than to the shoulder. Presumably this was intended to keep the face as far away from the breech as possible because of the danger of barrels exploding but it can hardly have helped accuracy. Perhaps this was one reason why the infantry in Akbar’s time though very numerous were not regarded as important. Many were in state service in some humble capacity, came from a wide variety of castes and occupations, and were pressed into armed service without training when the need arose. Pay depended on their caste and the arms they owned. In the sixteenth century the Mughals called them piyadagam, paik and ahsham. They were equipped with a motley collection of spears, swords and bows and the number of guns among them increased slowly. Bernier says an Indian bowman could fire six arrows in the space of time it took a matchlock man to fire twice. Acquiring a matchlock gave a man status, which enabled him to progress up the military hierarchy where he might become a silehaposh. Units of silehaposh were of mixed origin and in Rajasthan often included Nagas. Paid a modest wage they provided escorts to rulers and were guards on city ramparts. Some were provided with arms by the state. Bhils too were recruited in Rajasthan, men noted for their skill with a bow. In the eighteenth century the Rajputs increasingly recruited Purbias, people from eastern India, particularly Bihar, as matchlock men. They were referred to as Biradaris, the units each known by the name of their leader. Brigades of mercenaries for hire were a prominent feature of the north Indian military labour market from at least the fifteenth century. Successive Mughal emperors kept bandukchis under their control, attached to and paid by the Royal household rather than giving power to their nobles; but, with time, favoured nobles like the Kachwahas of Amber were permitted to recruit as a privilege. Mirza Raja Jai Singh had both ordinary matchlock men (dakhil banduk) and mounted matchlock men (sawar banduk) in 1663. Mounted barq-andaz, some of them of Ottoman origin, served in the Mughal army attempting to suppress Durga Das’s revolt in support of Ajit Singh, which started in 1679. The opportunities and Mughal rules relating to the recruitment of matchlock men were arbitrary and became less regulated as Mughal power declined.

 

The Turks replaced their matchlocks with the miquelet lock, developed in the Iberian peninsula on the back of Portuguese designs by about 1580 and this lock was adopted across the Mediterranean region. The Turks used this until the late nineteenth century but Indians never used it, other than guns produced under Portuguese instruction in Goa and other Portuguese possessions. These have miquelet locks, often dog locks, in Sri Lanka mounted on the left hand side of the gun, a peculiarity never satisfactorily explained. Gun barrels made in the Ottoman Balkans found a market in India though the extent of this trade is hard to assess. Evilya Celebi (1611–82), a Turkish official whose Seyahatname details journeys in the Ottoman Empire, described Sarajevo in Bosnia as ‘an emporium of wares from India…’. Sarajevo’s famous gun barrels were exported across the Ottoman Empire and as far as India. Two major gunmaking towns in Albania, Prizren and Tetovo also sent gun barrels to India though probably few before the seventeenth century. The success of this trade was no doubt helped by the Turks of high status who came to serve the Mughals such as the Ottoman governor of Basra, Amir Husain Pasha, who abandoned Sultan Mehmed and arrived in Delhi in 1669 where he was liberally welcomed by Aurangzeb, eventually becoming subadar of Malwa. In 1715 when Maharaja Ajit Singh of Marwar’s daughter Indra Kunwar married the Emperor Farrukh Siyar, the maharaja’s rise in status was indicated by his purchase of matchlocks worth one lakh, a large order, the supplier unknown.

 

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A Mughal Infantryman, 1850.

Another Padshahnama painting shows the Mughals capturing the Bengal port of Hoogly from the Portuguese in 1632. The Indians hold the stocks of their matchlocks under the armpit rather than to the shoulder. Presumably this was intended to keep the face as far away from the breech as possible because of the danger of barrels exploding but it can hardly have helped accuracy… Bernier says an Indian bowman could fire six arrows in the space of time it took a matchlock man to fire twice. Acquiring a matchlock gave a man status, which enabled him to progress up the military hierarchy where he might become a silehaposh.

 

The Ottoman army encountered European dragoons in the Cretan War (1645–69) who fired from horseback using fusils, flintlock muskets that were lighter and more convenient than the contemporary matchlock, a new approach to warfare that Rumi mercenaries brought to India. The Mirat-i-Ahmadi describes Rathore horsemen armed with matchlocks and incendiary bombs advancing to take the town gates of Ahmadabad in 1729. Horsemen armed with matchlocks increasingly became a feature of Indian battlefields from the latter part of the seventeenth century. To facilitate this matchlocks became shorter and lighter.

The nineteenth-century writer Irvine argued that in India until the mid-eighteenth century the bow was considered a far more reliable weapon than firearms. Too much credence in the apparent technical superiority of the matchlock over the bow has encouraged the assumption that firearms were swiftly adopted. True it was easier to train a matchlock man than a bowman but the theoretical advantages of the gun was often negated on the battlefield by it not working or poor powder or a shortage of bullets, all very common in India when responsibility was individual until the development of a competent commissariat and a conscientious and honest supervisory structure. This applies to Indians and Europeans. There are accounts of small units of British soldiers being hastily sent up-country in 1857 with half their muskets defective or lacking flint, powder or shot.

The Rajput view on this would probably admit the use of guns as a necessary evil but favour the bow until the mid-eighteenth century. The Rajputs are a conservative people and the bow won approval because it was used by familiar heroes in classic literature. Bhishma, ‘Terrible’, a prominent warrior in the Mahabharata, displays Rajput virtues as a man of courage, honour, loyalty and chivalrous behaviour, which all warriors would be taught since childhood to emulate. The Rathores deliberately sought death in battle as a sacrifice to the Goddess and Bhishma was gloriously pierced by so many arrows in battle that he fell from his chariot. His dying body was held off the ground by the arrow shafts protruding from his body. Lying on this couch of arrows he managed to delay his death for fifty-eight days until the sun started its northern course because Rajputs believed that the passage to warrior heaven is easier during this period.

 

In Hinduism, dharma, a Vedic concept, changes its meaning over the centuries and cannot be expressed in a single word but ‘order’, ‘model,’ ‘custom,’ ‘duty’ and ‘law’ have been used concerning it. Hinduism personifies dharma as a deified Rishi (enlightened person) personifying goodness and duty. His son is Yudhishthira – ‘firm in battle’. Dharma expresses the obligation of correct behaviour in all aspects of daily life integrated with religious duties so that individual responsibilities and cosmic order (Rta) can harmoniously align. Rajput dharma adds to this philosophical concept a unique social and religious code of its own that is the core of group identity and behaviour patterns. Individual Rajputs acknowledge rigidly shared sanctified rules, declaimed by court poets (Charans) and enforced by group pressure that gloried in and maintained tradition. Rajput dharma created an exclusive, tightly united, conservative group that was unsympathetic to the use of guns.

 

In Hinduism, dharma, a Vedic concept, changes its meaning over the centuries and cannot be expressed in a single word but ‘order’, ‘model,’ ‘custom,’ ‘duty’ and ‘law’ have been used concerning it… Rajput dharma adds to this philosophical concept a unique social and religious code of its own that is the core of group identity and behaviour patterns. Individual Rajputs acknowledge rigidly shared sanctified rules, declaimed by court poets (Charans) and enforced by group pressure that gloried in and maintained tradition. Rajput dharma created an exclusive, tightly united, conservative group that was unsympathetic to the use of guns.

 

The Rajputs were taught that the bow was a part of Rajput dharma and that warriors should practise with it every day, either hunting, or shooting at a baked earth target. It took years of practice to become a good archer. The bow in question was not the great self bows used by the indigenous peoples that are depicted in the hands of many of India’s warrior gods. It was the kaman turki, chahar kham (‘four curved’) recurved bow, used in Central Asia from the third millennium BC that came to India at the time of the Scythian invasions. Made of horn, sinew and wood, painted and lacquered to make the bow waterproof and attractive, such bows, the work of skilled craftsmen, were vulnerable to the climate and often had to be replaced. For Rajputs and Muslims the bow was a status symbol. New Indian dynasties, seeking to burnish their kshatriya credentials, noted this and sometimes used the bow and quiver in their accession ceremonies. Guru Har Gobind, the sixth Sikh Guru, put on a quiver and held a bow in his ceremony in 1606. The same recurved bow was used by Indian Muslims. The Prophet, himself an archer, had urged the faithful to practise with the bow so for Muslims archery was a spiritual exercise. For these reasons the bow remained popular. Irvine heard stories of British troops killed with arrows in the Mutiny. The British at that time thought the bow archaic but Indians took a different view and it was commonly included among the weapons in the howdah of princes out hunting until very late in the nineteenth century, for use as well as the symbol of a gentleman. James Tod, who knew the people well, wrote in 1830: ‘The Rajput who still curses those vile guns which render of comparative little value the lance of many a gallant soldier, and he still prefers falling with dignity from his steed to descending to an equality with his mercenary antagonists.’

A Matchlock from His Highness's collection

A matchlock multi-barrel pistol. Eighteenth Century. Also called ‘Panjtop’ and ‘Sher Ka Bache’. All shots strike close together and almost simultaneously when the powder in the tray is ignited. The holes drilled in each barrel is required by Indian legislation. Courtesy Niyogi Books and Mehrangarh Museum Trust.

 

The transition from matchlock to flintlock in the eighteenth century was gradual and largely due to European military commanders appointed by Indian rulers. The eighteenth-century European wars between the British and French were also fought in India where defeat resulted in disbanded French soldiers seeking employment, training and equipping local armies in the European manner. The Maratha sardar’s ‘regular’ infantry were increasingly armed with flintlocks, but they also recruited Kolis and Bhils armed with matchlocks as auxiliary troops. A Scottish mercenary, Colonel George Sangster, was employed by the mercenary General de Boigne to create an arsenal at Agra in 1790. ‘Sangster, who had trained as a gun-founder and manufacturer before coming to India, cast excellent cannon and made muskets as good as the European models for ten rupees each.’ It was customary for European mercenaries to equip their troops with arms and ammunition. De Boigne’s camp included Najibs, Pathans, Rohillas and high-caste Hindus and these gave up their matchlocks and were equipped with Sangster’s flintlocks. He eventually created five arsenals run by daroghas, at Mathura, Delhi, Gwalior, Kalpi and Gohad. Indian troops used their flintlocks in idiosyncratic ways as Fitzclarence noted in 1817:


As we approached… I was thrown upon the qui vive by the flash of a gun or pistol in that direction; but, from no report reaching me, I was convinced it had originated in that most unsoldierly trick so common among the native cavalry of India, of flashing in the pan of their pistols to light their pipe.

 

In 1796 a European observer noted that the matchlocks of the irregular infantry at Oudh ‘carried further and infinitely truer than the firelocks (flintlocks) of those days’.  Fitzclarence in 1818 wrote that: ‘ …the matchlock is the weapon of this country’ and: ‘the flintlock… is far from being general, and I may even say is never employed by the natives: though the Terlinga, armed and disciplined after our manner, in the service of Scindiah and Holkar, make use of it. Some good flintlocks are however, made at Lahore’. However, in the early nineteenth century Lahore also continued making matchlocks, popular in Rajasthan and, ‘like the locally produced examples, they are often highly finished and inlaid with mother-of-pearl and gold: those of Bundi are the best’. Tod noted that matchlocks, swords and other arms were manufactured at Pali and Jodhpur.

 

Egerton, an experienced arms collector in India from 1858, reports that Kotah and Bundi made famous matchlocks. This probably reflects the arms market created by Kotah’s prime minister, Zalim Singh, who in the latter part of the eighteenth century hired large numbers of mercenaries to defend the state against the Marathas. These troops included two brigades led by Firangis who had become Indian in all but name, brigades of Dadhu Panthi Naga ascetics, individual Marathas and a great many Pathans. In the late eighteenth century many Pathans were in Rohilla service in the Rampur region but after the British helped the Nawab of Oudh to defeat the Rohillas in 1774 there was a general reshaping of north Indian military employment and the Pathans moved west of the Ganges and found employment in Kotah, Jodhpur and indeed all the Rajput states. These troops brought their arms with them but needed the support the bazaar gave them until Zalim Khan, probably acting with the advice of French officers, introduced central control on all aspects including equipment towards the end of the eighteenth century. The Pushtun Amir Khan, deeply involved in Rajput affairs, ended as Nawab of Tonk in 1806, a good example of a mercenary’s rise to power. He was born in Sambhal in Rohilkhand in 1767 and started as a leader with ten men. By 1814 he commanded 30,000 horse and foot and a well-run train of artillery. Nineteenth-century inventories give the origin of guns, showing that at that date the Rajputs made gun barrels and also imported them, but these are generally hunting guns. A distinction needs to be made between the needs of the aristocracy, the mercenary, and the peasant who sought cheap guns to defend his mud-walled village from marauding Pindaris, Marathas, dacoits, wild animals, rapacious landlords and tax collectors.

 

European flintlock mechanisms were not used to upgrade Rajput matchlocks. This is surprising since their neighbours the Sindhis when given European guns as presents usually discarded all but the English lock which they fitted to their jezails. Sometimes they copied these, Sindhi lockplates spuriously signed Parker after the noted London maker being particularly common. In this they were possibly influenced by Persian attitudes to Western guns, Persian metalworkers being technically competent and happy to copy Western gunlocks in the nineteenth century.

 

The Rajputs had no military necessity to adopt new technology because from 1818 the British were treaty-bound to protect the Rajput states. Rajputs acquired European hunting guns if they had good contacts but paintings rarely show maharajas using them and they were rare until the 1840s. One sees relatively few in the state armouries until the nineteenth-century military examples come into use. Sometimes one finds whole rooms of racked nineteenth century British military weapons in forts, as though a regiment had handed in their arms and marched away. From the Indian point of view the complex flintlock mechanism had to be kept clean, lubricated and was hard to repair. The matchlock had few moving parts, was cheap to produce, easy to maintain and repair and used a locally grown match. Gun flint is not found in India and had to be imported from Europe. Agates used as a substitute were extremely hard and damaged the frizzen. A variety of sizes was required and these needed reversing in the jaw of the cock when they became worn after a small number of shots, usually using a knife edge as a screwdriver. The flintlock was an unreliable weapon. It is suggested that even in good weather it misfired 15 per cent of the time and in damp or wet weather the rate rose significantly. European flintlock mechanisms were not used to upgrade Rajput matchlocks. This is surprising since their neighbours the Sindhis when given European guns as presents usually discarded all but the English lock which they fitted to their jezails. Sometimes they copied these, Sindhi lockplates spuriously signed Parker after the noted London maker being particularly common. In this they were possibly influenced by Persian attitudes to Western guns, Persian metalworkers being technically competent and happy to copy Western gunlocks in the nineteenth century. Iqtidar Alam Khan wrote that ‘the inability of the Indians to copy cast-iron cannon and adopt more efficient flintlocks as standard military muskets were perhaps the two most conspicuous failures in the field of firearms during the seventeenth century’. The present author does not agree. Earlier adoption of the flintlock by Indians would have changed little if anything, the gap between the efficacy of the two systems being not so great, particularly in an Indian context. Failure came from the mismanagement of existing resources, people and the Indian philosophy of war rather than from technology.

 

This excerpt has been carried courtesy the permission of Niyogi Books. You can buy The Maharaja of Jodhpur’s Guns here.

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