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Silsilahs: The Mystic Orders

 

The paths

are many

The Destination

is one

Do you not see?

There are many paths

to the Ka’ba.

– Mevlana Jalaluddin Rumi

 

I am standing in the courtyard of Dewa Sharif, in Uttar Pradesh, surrounded by a sea of yellow as I wait for the urs ceremony to start. A first-time visitor may not know that the Warsis of Dewa Sharif wear this distinctive shade of yellow or about its significance.

 

Haji Syed Waris Ali Shah (1817-1905), the founder of this silsilah, not only wore yellow in his daily life, he also performed his hajj in an abram (unstitched robe worn by pilgrims) of the same colour. Was it because yellow symbolizes paleness? The lover is pale and anguished, longing for his Beloved Divine, and he suffers till he becomes ‘golden’, like metal, in the crucible of love.

 

Is yellow associated with Sufism? Or do followers of a certain saint wear it? To understand this one must understand what a silsilah or Sufi order is.

 

The Sufi

The Sufi

 

When the uninitiated think of Sufism in India, it is the very popular dargahs of Khwaja Garib Nawaz and Hazrat Nizamuddin Auliya that come to mind. Most people probably don’t know that they belong to the Chishti silsilah, or indeed what silsilahs are, and how they helped in the spread of Sufism.

 

The Arabic word ‘silsilah’ literally means chain, and in Sufism it refers to the formal chain of spiritual descent. The chain runs across centuries but starts with the master who passes on their mystic wisdom to disciples, who in turn pass it on to theirs and so on.

 

The Arabic word ‘silsilah’ literally means chain, and in Sufism it refers to the formal chain of spiritual descent. The chain runs across centuries but starts with the master who passes on their mystic wisdom to disciples, who in turn pass it on to theirs and so on.

 

In the previous chapter, we have seen how the first Sufis came to the Indian subcontinent in the eighth and ninth centuries. But it was only with the establishment of the Sufi silsilahs (orders) in the twelfth century that Sufism became popular. Many graves of pir babas (saints) from the early period are revered even today. They are scattered across various parts of the subcontinent. Although they often have a strong localized following, not much is known about them.

 

For instance, Haji Rozbih, the first Sufi saint to reach Delhi, lies buried just outside the walls of the Chauhan Fort, Lal Kot, Mehrauli in Delhi. Next to his simple open air grave in the forest is the grave of another devotee, said to be his female disciple from the Chauhan clan and a daughter of Prithviraj Chauhan. This claim maybe far-fetched, especially because Prithviraj Chauhan never came to Delhi. Besides, we don’t know enough about the saint, so we can’t be certain he had disciples at all. Chishti saint Qutub Sahib, too, is in Mehrauli; he holds sway over the hearts of not just the locals but people the world over. In his case, because the Chishti silsilah is well documented, we know of his history and karamat and disciples.

 

With the consolidation of the Delhi Sultanate came the establishment of khanqahs (Sufi hospices), and state patronage of saints, with the new conducive atmosphere, the Sufi orders were able to establish themselves firmly in the Indian subcontinent. The urs (death anniversary) celebrations of Sufis slowly began to attract thousands from across the globe, and it continues to do so even now. The most popular urs ceremony in India is that of the Chishti saint of Ajmer, Khwaja Muinuddin Chishti, known popularly as Khwaja Garib Nawaz.

 

In this and the subsequent chapters, I delve into the formation of silsilahs, as their emergence is very important to understand Sufism. 

 

From the tenth century onwards we see the popularity of Sufism spread across Central Asia. The establishment of the Delhi Sultanate (1192) coincided with unrest in Central Asia due to the Mongol invasions, leading to the large scale exodus of immigrants into India. Many Sufi saints, too, thus arrived in India during this period and set up their khanqahs.

 

"Portrait of Shaikh Mu'in al-Din Hasan Chishti", Folio from the Shah Jahan Album

“Portrait of Shaikh Mu’in al-Din Hasan Chishti”, Folio from the Shah Jahan Album

 

This led to the emergence of many new traditions and according to Raziuddin Aquil, an academic, the ‘interactions between various strands of Islam and diverse Indic religious traditions led to the emergence of new forms of religiosity, cults and sects, the most prominent being Sufism, Bhakti and Sikhism’. Aquil then proceeds to elaborate on this succinctly:

 

“Sufis were able to evolve an acceptable language and common grounds, which the self-styled guardians of Islam, the ulama, could not. Low-caste Bhakti saints could speak against social inequities, the Brahmin pandits could not. Some of the exalted gurus did speak of social harmony, but their ill-trained chelas [disciples] did not. For some, bigotry was the guiding principle of life; for others, justice and humanity were the ideals to adhere to.”

 

“Sufis were able to evolve an acceptable language and common grounds, which the self-styled guardians of Islam, the ulama, could not. Low-caste Bhakti saints could speak against social inequities, the Brahmin pandits could not. Some of the exalted gurus did speak of social harmony, but their ill-trained chelas [disciples] did not. For some, bigotry was the guiding principle of life; for others, justice and humanity were the ideals to adhere to.”

Raziuddin Aquil

 

As the number of Sufis began to increase, they began to feel the need to formalize and legitimize their spiritual training. This led to the rise of mystical orders or silsilahs from the twelfth century. Silsilahs gave the followers a spiritual hierarchy and a place within it, along with ‘greater respectability and a stronger base of defence against the onslaught of the orthodox’.

 

The earliest stage of the formation of such orders was marked by the presence of ascetic Sufis who renounced worldly pleasures, and lived in constant remembrance of Allah, and in solitude. They were mainly based in the cities of Basra and Kufa in Iraq. This was in adherence to Prophet Muhammad’s example.

 

A very popular hadith given in Sahih Muslim (no. 1479) describes the time when the second caliph of Islam, Umar ibn al-Khattab, found the Prophet lying on a straw mat with only a handful of barley in the corner of the cell. The imprint of the Prophet’s bare upper body was still on the mat. On seeing the extremely austere life the Holy Prophet was leading, Umar ibn al-Khattab started weeping. When the Prophet asked him why he was crying, he replied that he was saddened by the realization that the Caesars and Khusraus of the world (kings) lived a life of luxury, while the Messenger of God was living in such poverty. The Prophet said that he was satisfied with the prosperity of the hereafter – meaning he didn’t hanker after worldly pleasures, which were temporary.

 

Aquil summarizes the spread of Sufism, ‘Beginning with the influential mystic circles of Baghdad, Sufi networks were established in lower Iraq, Iberia, Egypt, north-eastern Iran and Central Asia between the ninth and twelfth centuries.’ The rise of silsilahs was a natural progression when Sufi saints became more organized.

 

To understand Sufism and its impact in India, it is essential to understand the various silsilahs that flourished here and their important saints, for it was these saints who attracted people to their khanqahs in the early stages. The major saints of each order sent their disciples to various parts of the subcontinent to establish their mission. These were called vilayats (spiritual territories). Today the teachings, legacy, and the karamat (miracles) attributed to these disciples draw people seeking their intercession to the shrines.

 

To understand Sufism and its impact in India, it is essential to understand the various silsilahs that flourished here and their important saints, for it was these saints who attracted people to their khanqahs in the early stages. The major saints of each order sent their disciples to various parts of the subcontinent to establish their mission. These were called vilayats (spiritual territories). Today the teachings, legacy, and the karamat (miracles) attributed to these disciples draw people seeking their intercession to the shrines.

 

Though there were many female Sufi saints, they did not establish silsilahs which remained a male privilege.

 

The silsilahs began to develop in the tariqah stage, discussed in the previous chapter. They were built around a particular saint and his teachings, and the rules of khilafat (succession) were formed. The relationship between the pir and murid became very clear.

 

The initial silsilahs were formed and named after their masters. Take the example of the first group to organize itself as an order, the Qadriya silsilah; it was named after Sheikh Abdul Qadir Jilani. There was also the Muhasibi silsilah named after Abu Abdullah al Harith Ibn Asad al Anazi al Muhasibi (781-857), and the Junaydi Order named after Junaydi Baghdadi (830-910).

 

As the Sufi silsilahs developed, they split into a number of branches. Today, there are innumerable silsilahs in the world, but I will limit myself to the major Indian silsilahs.

 

As these silsilahs formalized their teachings, they also imbibed many other regional influences, which they adapted within the Islamic framework. So while Sufism didn’t grow out of these, as its main source is the Quran, and the life of the Prophet, the monastic traditions of Buddhism and Christianity, and the philosophies of the Vedas, the Upanishads, and Neo Platonism were all absorbed into its discourse.

 

Portrait of a Sufi

Portrait of a Sufi

 

Every silsilah had its own particular methods, rituals, and techniques. There is, for instance, a difference in the method of zikr (remembrance of Allah) in each order. While the Naqshbandi order lays emphasis on silent zikr, with breath control and meditation, the Chishti order does it aloud — almost always through the medium of sama mehfils (musical assemblies) to create momentum to lead to a state of trance. The Chishti silsilah today is the main promoter of the tradition of qawwali; you will always find qawwalls being sung in their dargahs. Scholar and author Omar Khalidi writes about this:

 

“Of the four Sufi orders popular in India the Chishtis alone sought ecstatic inspiration in music. The Suhrawardis were generally indifferent to it and recommended instead the chanting of the Quran: the Qadiris were opposed to music generally, and to instrumental music in particular. The Naqshbandi attitude to music was even more hostile.”

 

The silsilahs are of two types: those that adhere strictly to shariah and are called ba-shara, and the non-conformist ones referred to as be-shara. According to Aquil, the terms and the ‘distinction smacks of fatwa-baazi [Islamic rulings] in Islam. If at all one needs to identify and judge some people such as the madaris or qalandars, they may be referred to for being non-conformist, and even somewhat deviant.’

 

The silsilahs are of two types: those that adhere strictly to shariah and are called ba-shara, and the non-conformist ones referred to as be-shara. According to Aquil, the terms and the ‘distinction smacks of fatwa-baazi [Islamic rulings] in Islam. If at all one needs to identify and judge some people such as the madaris or qalandars, they may be referred to for being non-conformist, and even somewhat deviant.’

 

Therefore, the term used in this book is non-conformist.

 

The non-conformists called qalandari or mazjub (intoxicated) do not belong to any one silsilah and spend their time wandering from one place to another. They believed in rejecting the material world, according to scholar Ute Falasch, ‘opting for celibacy, itinerancy, poverty, and mendicancy instead.’

 

“The deviance from social and moral norms in the attitude towards plety is often presented to the community by peculiar dress and paraphernalia, or the lack of appropriate clothing, as well as a provocative behaviour that is regarded as offensive. Not only the neglect of social standards may characterize this piety, but also that of religious normativity, which is why they are labelled antinomian. It may be expressed in different ways, such as ecstatic states that revolve around music and dance or the experimentation with drugs, mostly hashish, as well as a disregard for religious duties, such as fasting and praying. Because of these aspects, these groups always have been an object of criticism. Movements such as the Qalandariyyah, which spread in the thirteenth and fourteenth centuries across the Muslim world up to India, have been looked down upon by the intellectual elite of the society, regarding them as false Sufis who lack religious sentiments or imposters that misuse the sensitivities of the people.”

 

This is not to say that these fakirs or qalandars were rejected by Muslim society. They found a space for themselves in society and dargahs. Though they did not follow the widespread social norms, there is nothing to suggest that they rejected normative Islamic practices.

 

Many Sufi silsilahs have flourished in India over time. Abul Fazl lists fourteen orders that were functioning in sixteenth-century India. Of these, the four most prominent ba-shara silsilahs are the Chishti, Suhrawardi, Qadriya, and Naqshbandi. Among the non-conformist silsilahs, the dewangan section of the Madari silsilah and the Rasul-Shahis are two prominent ones in India.

 

Many Sufi silsilahs have flourished in India over time. Abul Fazl lists fourteen orders that were functioning in sixteenth-century India. Of these, the four most prominent ba-shara silsilahs are the Chishti, Suhrawardi, Qadriya, and Naqshbandi. Among the non-conformist silsilahs, the dewangan section of the Madari silsilah and the Rasul-Shahis are two prominent ones in India.

 

While mystic centres had been established in many areas by Muslim saints long before the establishment of Turkish rule, the establishment of the Delhi Sultanate saw the emergence of Sufi saints and systematic organization of silsilahs in India. Two of the most important mystic orders — the Chishti and the Suhrawardi — were also introduced in north India during the Delhi Sultanate years. These silsilahs often played an important role in society of the times, as will be discussed later.

 

The Suhrawardi and the Chishti silsilahs were and are on friendly terms with each other, and the latter even rely on the works of the saints from the former silsilah, like Sheikh Shihabuddin Suhrawardi and Sheikh Hamiduddin Nagauri. The goal of both the orders is to surrender their souls to God’s will and achieve union with the Divine.

 

Yet, despite all these similarities, there are also differences. The rituals and ceremonies of the two orders reflect their contrasting attitudes towards society and politics. While the Suhrawardis emphasize salat (prayers) and zikr, fasting only in the month of Ramzan, the devotion of the Chishtis leads them not just to offer prayers but indulge in difficult ascetic practices and fast almost continuously. The former believe in eating all that is pure, and in acting righteously, while the latter focus on self-mortification, penance, and meditation.

 

Their contact with yogis has led the Chishtis to practice zikr with strenuous coordination of limb movements and postures associated with exhalation and inhalation.

 

The sama mehfils of the Chishtis are attended by the Suhrawardi saints of Delhi but not encouraged by the Multani Suhrawardis.

 

The Naqshbandis felt it essential to connect and interact with the powers that be, as the life of the rulers had a deep impact on the life of the people. The Suhrawardis mixed with the kings, and ‘gave moral support to them but did not attempt any reorientation of their thought’.

 

The Chishtis, on the other hand, didn’t seek active involvement but they didn’t shun the rulers totally either, accepting grants and land from them. The well-known Chishti Hazrat Nizamuddin Auliya did seek to stay away from rulers, though, and there is a famous incident pertaining to the time when Sultan Jalaluddin Khilji wanted to visit him. Hearing of the ruler’s desire, he is said to have famously quipped that a Sufi khanqah has two doors and if the sultan entered by one, he’d use the other to leave. However, his with Alauddin Khilji were cordial — with the sultan seeking ‘Nizam-ud-Din’s spiritual assistance for knowing the fate of his campaign in southern India — the Sufi master had predicted its victory’.

 

A very famous story described in Fawaid al-Fuad is of a Sufi saint named Shaikh Ali. The saint was sitting with outstretched legs repairing his tattered cloak when the ruler and his wazir (prime minister) visited him. The wazir asked him to fold his legs, but he remained still and unperturbed. When the ruler drew closer, he showed his fists and said that he has closed his hands instead!

 

This should not be taken to mean that these saints did not influence the rulers — only that they did it indirectly by narrating stories and parables, or quoting from the hadiths and the life of the Prophet, to show rulers that their tyranny was wrong.

 

Sufi in a Landscape, Iran, Isfahan, Circa 1650–1660. Los Angeles Museum of County Art.

Sufi in a Landscape, Iran, Isfahan, Circa 1650–1660. Los Angeles Museum of County Art.

 

The Naqshbandi order was the last of the major silsilahs to find its way into India via Khwaja Nasiruddin Ubaidullah Ahrar’s descendants, Khwaja Abdul Shahid, and Khwaja Kalan. The two men came to the Mughal court on Babur’s invitation but didn’t stay long. This silsilah attained popularity later via Khwaja Muhammad Baqi, also known as Baqi Billah Berang.

 

Apart from the four main silsilahs, there were many offshoots and independent silsilhas, such as the Sabri, Firdausi, Shattari, Kubravi, Warsi, and Kazmiya Qalandari.

 

Throughout the lands where the khanqahs and dargahs established were governed by the local rulers, the Sufi saints were considered the spiritual rulers. According to historian Sunil Kumar, the political ruler with his army ‘were the intrusive and sometimes violent and usually coercive element that appeared in South Asian history with the establishment of the Sultanate (c. 1200+).’ Further, he says:

 

“Conversely, as proponents of a mystical Islam, Sufis have been regarded as the ecumenical face of Islam, preaching to the commoners, often using the vernacular, and communicating complex aspects of Islam and Sufi philosophy through pithy maxims derived from the quotidian experiences of the common people and not just the elites. As an extension of this idea, since Sufis were not involved in the mundane temporal world but with abstract, spiritual praxis, historiographical narratives often placed them outside the realm of history and the vicissitudes of change.”

 

The role of the Sufi was multi-layered and thus they played a very important role in shaping the religious outlook of the rulers, thereby shaping history. Sheikh Abdul Quddus Gangohi, the Chishti Sabri saint, in a letter to Babur sets forth his views in regard to the functions and duties of a Muslim king. He expressed his faith in Babur’s firm conviction in Islam and Hanafi law, and his devotion to the ulema and the Mashaikh, whom he entreated for the theologians, mystics, weak, and the depressed to be maintained and subsidized by the state. In M. Zameer Uddin Siddiqi’s words:

 

“It was specially stressed that the obligation of deep gratitude to God demanded that [the] all-pervading Justice of the King cast its shadow on the people and that no one should subject another to torture and tyranny and that all the people and soldiers hold fast to all that has been ordained by shara and abstain from all that is forbidden.

Since each silsilah had its own dynamics with the rulers and the people of the subcontinent, I will examine each one separately in the subsequent chapters.

 

This excerpt has been carried courtesy the permission of Rana Safvi and Hachette India. You can buy In Search of the Divine: Living Histories of Sufism in India, here.

 

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Today, it is difficult to imagine Hinduism without temples, or even to imagine temples as being more than places for worship. That was not the case during the time of the early Chalukyas. Then, the idea of building permanent shrines to ‘Hindu’ gods was somewhat of an innovation. Buddhists, on the other hand, were used to worshipping idols and
congregating around permanent religious institutions such as monasteries or stupas, and folk religion in the subcontinent always had a strong idol-based aspect to its worship of yakshas and other fertility deities. But orthodox Hinduism, even up to the early centuries CE, had still relied primarily on Vedic rituals – expensive and difficult undertakings for kings, and rather ephemeral in how they displayed royal power and political messages. These rituals were performed in temporary altars, built specifically to perform a sacrifice and destroyed after.

But by the fourth century, aided by the patronage of the Gupta emperors of northern India, Hindu cults adopted permanent iconic representations of gods and introduced radical theological innovations in a bid to increase popularity and capture patronage. In the Vedic worldview, the gods, who always remained invisible presences through the rituals, needed periodic sacrifices from mortals to help them defeat anti-gods and bring rains. In the new, temple-based, Puranic Hinduism, gods such as Shiva and Vishnu were embodied as idols and were declared Supreme. They no longer needed sacrifices to help them order the cosmos, but went about their business according to a plan that mortals could not hope to understand. Mortals could also bring them to Earth as permanent residents in temples, not just as temporary visitors to sacrifices. There, they could propitiate these mighty deities with new rituals that were presented as reworked versions of Vedic sacrifices: periodic, daily offering of animals, food, flowers and so on. This innovation proved popular with rich and poor alike. Royals across northern India soon started to build shrines to Hindu gods, while continuing their patronage of existing Buddhist and Jain institutions.

    However, temples did not spread only for devotional reasons.

 

Vishnu image in Badami Cave 3

 

Major temples and the deities they enshrined were associated with legends contained in the Puranas, and were believed to have potent boons to offer devotees and donors. They attracted pilgrims and, more importantly, commercial activity, creating hubs where India’s flourishing religious cults could preach, squabble, sing, celebrate and make money. The popularity of temple-based Hinduism also led to the gradual creation of new religious communities, more amenable to supporting the activities of warlike aristocrats who claimed a special relationship with the gods8 – all of which were in stark contrast to what Buddhists in south India were willing or able to offer, as will be seen later. Building a temple could also help royals curry favour with existing groups of worshippers, monastic communities, pilgrims and so on. The crowds of devotees that visited temples would frequently hear of the land grants and military exploits of kings, and associate them with the inscrutable world-ordering activities of deities, in contrast to the moralistic tales of Buddhas and Bodhisattvas that they might hear in a stupa. As one scholar puts it, the rise of ever more elaborate temples and the growth of royal power inevitably went hand in hand.

This was why it was so important for medieval kings to build temples, though we may often misinterpret these activities as stemming purely from devotion. Early Chalukya temples, in particular, show us how medieval kings used these buildings as a crucial aspect of their power. Chalukya temples are replete with subtle and not-so-subtle political messages.

Keshava temple, Somnathapura, Karnataka. Credit: Human History In Brief

Pulakeshin I’s earliest attested activities were Vedic sacrifices, meant to establish his status amongst other elites conversant with their meaning – kings, Brahmins, generals, poets, astrologers – rather than the average Deccani. By the end of his reign, he had begun to seek more permanent means to express his power to the mass of his subjects. His imperial title, Sri-Prithivi-Vallabha, had already established his relationship to Vishnu. But he also used the soft sandstone of the cliffs of Vatapi to state his personal relationship to the other great god of temple-based Hinduism Shiva – whose cults were already popular in the northern Deccan.

Pulakeshin I’s sculptors were ordered to make sculptures totally unique to the Chalukyas, expressing royal support for these new religious practices. One such image, a spectacular eighteen-armed image of a dancing Shiva still welcomes visitors to the cliffs of Vatapi (modern-day Badami). The god’s arms swirl around him like a blooming lotus, his left foot poised an instant away from striking the ground.

Pulakeshin I’s two warlike sons (Mangalesha and Pulakeshin II’s father) also engaged in a spurt of cave temple building in Vatapi and other Chalukya towns in the Malaprabha valley, such as Aryapura (modern-day Aihole). Ancient sacred springs and wells and dolmen burial sites, where the indigenous peoples of the land had congregated for centuries to celebrate nature’s rhythms, were now incorporated into the sites of flashy new temples. Of course, the Chalukyas by no means confined their patronage to Hindu gods; the religious composition of early medieval India was very much in flux, and they built Buddhist and Jain temples to appeal to those audiences as well.

Durga temple, Aihole, Karnataka

Today, the constructions of the early Chalukya kings are among the oldest known temples in southern India, and they tell us a fair bit about the political clashes and competitive religious environment of the sixth century. For example, the Kadambas of Banavasi, their deadly rivals, associated themselves with the Saptamatrikas, goddesses of victory and liberation with roots in ancient cults. Pulakeshin I’s sons went out of their way to use images of these Seven Mothers in their cave temples, competing with the Kadambas to claim the favour of these popular deities.

Mangalesha commissioned an image of the original Sri-Prithivi-Vallabha, Varaha, the man–boar form of Vishnu, who had earned the love of the goddess Earth by rescuing her from a demon at the time of the Great Deluge. The sculpture, evidently meant to establish a visual parallel with the king, can be seen in Cave 3 in modern-day Badami. To this day it retains traces of its original lustrous blue paint. Mangalesha’s campaigns against the Kadambas and Kalachuris, it seems to say, are analogous to Vishnu’s rescue of Earth from darkness. This Chalukya king’s association with Varaha would go on to become one of the subcontinent’s most iconic visual motifs: his nephew Pulakeshin II would use the boar as his battle standard, and it would continue to be used intermittently for nearly one thousand years after, even during the time of the Deccan empires of Bijapur and Vijayanagara.

Pulakeshin II inherited some of his uncle Mangalesha’s skill at visual propaganda, introducing innovations of his own to Chalukya political messaging. He, however, wanted to make a new sort of temple – not the dark, concealed cave temples that the Deccan was familiar with, but elegantnew structures that embraced open air, space, and light. His sculptors and sthapatis (‘establishers’, or master architects) oversaw the removal of great blocks of sandstone from the cliffs of Vatapi. These were then assembled into some of the oldest surviving free-standing temples in southern India. Their clean lines were adorned with subtle sculptural motifs – artistic representations of gods, myths and miniature shrines. Built to support their own weight through careful balancing and positioning of joints, Pulakeshin II’s temples have endured nearly 1400 years of erosion.

Their design borrows from both north and south to make something new, something uniquely Deccan. The shape of Pulakeshin II’s temples, using the distinctive south Indian tiered superstructure ascending in ever-smaller layers from a wide base, seems to reflect a south-centric worldview. And yet, there are many northern influences, which would only have been included by sculptor guilds at Pulakeshin II’s express wish, in order to impress audiences in Vatapi. For example, in sculptural panels on the walls, Shiva can be seen standing straight and calm in the samabhanga posture with a snake in his right hand and a trident in his left, all of which are ‘common North Indian attributes’. These influences came by way of the northern Deccan, a region that was now firmly in Chalukya hands, though it had been a foreign country just a generation ago. Religions and goods from there were now becoming more popular in the Chalukya home territories, as these once-poor lands grew into prosperous towns and were integrated into the subcontinent’s webs of trade and religious exchange. Pulakeshin’s splendid new buildings must have been a great hit with the increasingly religious and cosmopolitan people of the Malaprabha valley, a shrewd investment of the loot he had gained from his military campaigns.

Pulakeshin II’s temples thus tell us a great deal about the complex ways in which medieval Indian elites went about the business of solidifying and perpetuating their power.

Given what temple-based Hinduism could offer to the wealthiest and most powerful people, the decline of monastic Buddhism at this time makes much more sense.

Pulakeshin II also brought innovations to other aspects of Chalukya power. Temples helped structure social activity in urban centres, with their consistent daily and seasonal rhythms where the people of the Malaprabha river valley could congregate. But their audience was limited to a radius of a few dozen miles, at most. For faraway subjects and vassals, more concise religio-political messages were needed.

Pulakeshin II now proved himself the equal of his grandfather in propaganda, inventing a legendary backstory for the Chalukyas, erasing their humble chalke-wielding past. This was interwoven with land grant formulae once used by the Kadambas, ensuring that the aura of glory that surrounded that old dynasty would now accrue to his clan.

According to Pulakeshin, the Chalukya were a clan ‘nourished by the breasts of the Seven Mothers … who have acquired an uninterrupted continuity of prosperity through the protection of Karttikeya [the war god], who have had all kings made subject to them at the sight of the boar-crest which they have acquired through the favour of the divine Narayana [Vishnu]’. He declared that they were a race of heroes sprung from a pot, a chuluka, filled with water from the Ganga by an ancestor who defended the gods from demons. In another version, the Chalukya progenitor was Brahma the Creator himself.  In another, there is no pot, but there was a hero whose name is Chalukya. Finally, Pulakeshin also adopted for himself a bevy of titles designed to inspire awe among his vassals and rivals, including Satyashraya, Refuge of Truth – this would be the title by which he was remembered by his successors for centuries after.

The point of all this intense activity in architecture, iconography and political propaganda was manifold. It established that the Chalukyas had rescued the Deccan from all the darkness and anarchy that came before, just as Varaha had rescued the Earth. It established that they were no ordinary mortals, but the favourites of the most popular gods – even the gods of their erstwhile rivals. It established that they ruled over north as well as south, that their power extended into areas that had never bowed to the might of the Deccan before. And, most importantly, it laid the popular and institutional foundations for many more generations of Chalukyas to build temples, make land grants and reorder the Deccan as their ancestors had.

You can find the book here.

1950-1951


In this excerpt by Narayani Basu, explore K. M. Panikkar’s 1950–51 ordeal as India’s ambassador to China, marked by personal turmoil, diplomatic isolation, and ignored warnings amid rising Cold War tensions.


Narayani Basu

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1828-1843


Families despaired, newspapers railed, and society ridiculed a generation of young men who refused to accept inherited custom and ritual in 1830s Calcutta. What was at stake in these scandals of manners? Read Rosinka Chaudhuri’s excerpt to find out.


Rosinka Chaudhuri

__

1100–1199 CE


Read this excerpt from Kalhana’s Rajatarangini, where history unfolds through a precise mapping of medieval Kashmir’s towns, rivers, and sacred sites.


Kalhana

__

1910-1950


An analysis of the romanticised narrative of Indian nationalism by examining Vallabhbhai Patel's political journey as a case study.


Rani Dhavan Shankardass

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1943-1945


An excerpt from the book My Memories of I.N.A. and Its Netaji by Major General Shahnawaz Khan, where he documents how Bose formed the INA, inspired disillusioned Indian soldiers to revolt, and challenged British rule with Axis support.


Major General Shahnawaz Khan

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1900-1950


In the colonial period, the fear of the male gaze was used by the new patriarchy to restrict women’s access to work and public space, reinforcing a patriarchal division of labour. Read more in our latest excerpt.


Saurav Kumar Rai

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1865-1928


Was Lala Lajpat Rai's Hindu nationalism congruent with the principles of secularism? Explore our latest excerpt from Vanya Vaidehi Bhargav's fresh off-the-press book - Being Hindu, Being Indian: Lala Lajpat Rai's Ideas of Nation for more.


Vanya Vaidehi Bhargav

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1947-1951


Popularly, we think that political cartoons question the powerful but what if this was not the case? What if political cartoons, replicated structures of the socially dominant? Read how in our new excerpt on political cartoons featuring Dr. Ambedkar.


Unnamati Syama Sundar

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1948


On Martyrs' day 2024, read the poet Sarojini Naidu's tribute to Gandhi given over All India Radio two days after his assassination.


Sarojini Naidu

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1950


On Republic Day, the Indian History Collective presents you, twenty-two illustrations from the first illustrated manuscript (1954) of our Constitution.


Indian History Collective

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1200 - 1850


One of the key petitioners in the Ayodhya title dispute was Bhagwan Sri Ram Virajman. This petitioner was no mortal, but God Ram himself. How did Ram find his way from heaven to the Supreme Court of India to plead his case? Read further to find out.


Richard H Davis

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1940-1960


Labelled "one of the shortest, happiest wars ever seen", the integration of the princely state of Hyderabad in 1948 was anything but that. Read about the truth behind the creation of an Indian Union, the fault lines left behind, and what they signify


Afsar Mohammad

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